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Stock's 1789 miniature of Mozart " Liebes Manndel, wo ist's Bandel?" ("Dearest husband, where's my hatband?"), otherwise known as "Das Bandel" is a terzet (song for three voices) with string accompaniment composed by Wolfgang Amadeus Mozart, K. 441, with lyrics in the Viennese dialect.
Wolfgang Amadeus Mozart The song's lyrics repeatedly invoke the help of Mozart in regaining the singer's lost love. In the refrain, the singer expresses her wish to have the "magic flute's magic" ("trollflöjtens magi"), a reference to Mozart's opera The Magic Flute (The opera's title in Swedish is Trollflöjten .)
Goethe wrote the poem in 1773 or early 1774. It was first published [citation needed] in March 1775 in his first Singspiel Erwin und Elmire which was first set to music in 1775 by the German composer Johann André (a revival in 1776 used music by Anna Amalia of Brunswick-Wolfenbüttel and by Carl David Stegmann, and another 1785 had music by Ernst Wilhelm Wolf and Karl Christian Agthe).
The original lyrics are probably by Mozart himself; [1] they include the words for "good night" in five different languages (Latin, Italian, French, English, and German). [2] [3] The phrase "gute Nacht, gute Nacht, / scheiß ins Bett daß' kracht", found in the fourth-to-last and third-to-last lines, closely resembles a similar expression found in a postscript to one of Wolfgang's letters by ...
" Leck mich im Arsch" (German for "Lick me in the arse") is a canon in B-flat major composed by Wolfgang Amadeus Mozart, K. 231 (K. 382c), with lyrics in German. It was one of a set of at least six canons probably written in Vienna in 1782. [ 1 ]
Twelve Variations on "Ah vous dirai-je, Maman", K. 265/300e, is a piano composition by Wolfgang Amadeus Mozart, composed when he was around 25 years old (1781 or 1782). This piece consists of twelve variations on the French folk song " Ah! vous dirai-je, maman ".
God is our refuge, K. 20, is a motet for four voices in G minor by Wolfgang Amadeus Mozart.Based on Psalm 46, it was composed in July 1765 during Mozarts' stay in London on the Mozart family grand tour as a gift for the British Museum along with one other supposed work: a set of variations in A major, K. 21a.
Giovanni Bertati is often given as the author of the opera's libretto, others credit Giuseppe Petrosellini; [4] however, neither is confirmed. [1]The aria is inserted at the end of act 1, scene 6, where Marchese Calandro wants to test his bride's Clorinda's fidelity – six and a half years later, in 1790, this was a central theme in Mozart's opera Così fan tutte.