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The plot takes place in 1925. One of Chicago mobsters Mik Nich (born as Mikita Nichiporuk) flees to Soviet Odessa to escape the revenge of other mobsters. Mob leaders send the best hit-man Johnny Polak to Odesa.
Brother 2 (Russian: Брат 2, romanized: Brat 2) is a 2000 Russian crime film directed by Aleksei Balabanov and starring Sergei Bodrov Jr.. It is a direct sequel to the 1997 film Brother. The film is set in Moscow and Chicago. Brother 2 received mostly positive reviews from critics, praising the acting, plot, setting, and soundtrack.
A list of the most notable films produced in the Cinema of Russia.Russia, since beginning to produce films in the late 1890s, has experienced three political regimes; the Russian Empire, Pre-1917; the Soviet Union, 1917–1991; and the Russian Federation, 1991–present.
Come and See [a] is a 1985 Soviet anti-war film directed by Elem Klimov and starring Aleksei Kravchenko and Olga Mironova. [4] Its screenplay, written by Klimov and Ales Adamovich, is based on the 1971 novel Khatyn [5] and the 1977 collection of survivor testimonies I Am from the Fiery Village [6] (Я из огненной деревни, Ya iz ognennoy derevni), [7] of which Adamovich was a ...
For Russian films of 1917–1991 see List of Soviet films. Before 1910. Title Director Cast Genre ... Movies from Imperial Russia online at Russian Film Hub;
Below is a list of the films that have been submitted by Russia for review by the Academy since 1992. All Russian submissions were filmed mostly in Russian. Among the submissions were a horror film about vampires (2004), a Russian film dubbed into German (1999), a controversial anti-corruption film (2014) and a slew of historical dramas.
Russian title Director Cast Genre Notes 1957: And Quiet Flows the Don: Тихий Дон: Sergei Gerasimov: Pyotr Glebov, Elina Bystritskaya, Zinaida Kiriyenko, Lyudmila Khityaeva: Drama: Close to Us: Рядом с нами: Adolf Bergunker: Leonid Bykov: Drama: The Cranes are Flying: Летят журавли: Mikhail Kalatozov
The film depicts a Russian writer (Oleg Yankovsky) who visits Italy to carry out research about an 18th-century Russian composer, but is stricken by homesickness. [3] The film utilizes autobiographical elements drawn from Tarkovsky's own experiences visiting Italy, and explores themes surrounding the untranslatability of art and culture. [4]