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Tracery can be found on the exterior of buildings as well as the interior. [2] There are two main types: plate tracery and the later bar tracery. [3] The evolving style from Romanesque to Gothic architecture and changing features, such as the thinning of lateral walls and enlarging of windows, led to the innovation of tracery. The earliest form ...
The resulting solid panel is quite durable and appropriate for architectural settings or outdoor panels. [ citation needed ] The use of thicker glass produces deeper colour effects than traditional lead came stained-glass, especially when illuminated by bright natural or artificial light.
Stained glass windows in houses were particularly popular in the Victorian era and many domestic examples survive. In their simplest form they typically depict birds and flowers in small panels, often surrounded with machine-made cathedral glass which, despite what the name suggests, is pale-coloured and textured. Some large homes have splendid ...
At Truro they were commissioned by John Loughborough Pearson to design windows for the new Cathedral, and of these windows it is claimed "The stained glass which was made by Clayton and Bell is thought to be the finest Victorian stained glass in England and tells the story of the Christian Church, starting with the birth of Jesus and finishing ...
One example is the stained glass window of the doorway of the Hôtel van Eetvelde in Brussels (1895). In France, Art Nouveau stained glass was used by Alphonse Mucha to decorate the interior of the jewelry shop of Georges Fouquet. The windows were made by Léon Fargues. The decor is now found in the Carnavalet Museum.
The general characteristics of French stained glass in this period include whole panels filled with decorative canopy work, almost all in white, with just touches of stain. The canopy designs were intricate patterns of line and form to accompany the intricate details of the Flamboyant interiors.
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