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19th; 20th; 21st; 22nd; 23rd; 24th ... Pages in category "19th-century portraits" The following 200 pages are in this category, out of approximately 212 total.
Woman Reading is a 19th-century (portrait painting) by Susan Macdowell Eakins. It is in the collection of the Metropolitan Museum of Art. [1] Woman Reading probably depicts the artist's sister Elizabeth Macdowell Kenton. It is one of Eakins' many portraits of her family members in interior settings. [1]
Gallery of Beauties The Nymphenburg Palace seen from its park. The Gallery of Beauties (German: Schönheitengalerie) is a collection of 38 portraits of the most beautiful women from the nobility and bourgeoisie of Munich, Germany, gathered by King Ludwig I of Bavaria in the south pavilion of his Nymphenburg Palace. [1]
The portrait is characterized by the pale flesh tone of the subject contrasted against a dark-colored dress and background. The scandal resulting from the painting's controversial reception at the Paris Salon of 1884 amounted to a temporary setback to Sargent while in France, [ 2 ] though it may have helped him later establish a successful ...
Portrait paintings of "men of culture" (wen ren hua) at that period reflects this dilemma. For instance, the Portrait of Yang Qian depicted him standing in a bamboo forest. While the bamboo symbolizes his moral rightness, the half-enclosed and half-opened space in the background alludes to his potential of choosing between reclusion and serve ...
Portrait d'une femme noire, 1800, Marie-Guillemine Benoist, Louvre; Dr. Susan Waller, "Marie-Guillemine Benoist, Portrait of Madeleine," in Smarthistory, September 26, 2018. James Smalls, "Slavery is a Woman: 'Race,' Gender, and Visuality in Marie Benoist's Portrait d'une négresse (1800)", Nineteenth-Century Art Worldwide 3, no. 1 (Spring 2004)
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She was one of the "New Women" of the 19th century successful, highly trained women artists who never married, like Ellen Day Hale, Mary Cassatt, Elizabeth Coffin and Cecilia Beaux. [8] Hale, Nourse, and Coffin "created compelling self-portraits in which they fearlessly presented themselves as individuals willing to flout social codes and ...
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