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The variant called Super 16 mm, Super 16, or 16 mm Type W is an adaptation of the 1.66 (1.66:1 or 15:9) aspect ratio of the "Paramount format" [8] to 16 mm film. It was developed by Swedish cinematographer Rune Ericson in 1969, [ 9 ] using single-sprocket film and taking advantage of the extra room for an expanded picture area of 12.52 mm × 7. ...
An Arriflex 16SR camera 16 mm camera. The Arriflex 16SR is a motion picture camera product line created by Arri, introduced in 1975. This 16SR camera series is designed for 16 mm filmmaking in Standard 16 format. 'SR' Stands for Silent Reflex.
The first Minolta 16 camera was the 16 Automat (1955), which was almost identical to the Konan 16 Automat. It featured a fixed-focus 25mm lens, apertures from f/3.5 to f/11, and shutter speeds from 1/50 to 1/200 plus bulb. Film advance was via a Minox-style push-pull housing. The 16 was the second Minolta 16 model, introduced in 1957. Basically ...
Auricon cameras were 16 mm film Single System sound-on-film motion picture cameras manufactured in the 1940s through the early 1980s. Auricon cameras are notable because they record sound directly onto an optical or magnetic track on the same film that the image is photographed on, thus eliminating the need for a separate audio recorder.
The CP-16, CP-16A, CP-16R, CP-16R/A and CP-16R/DS cameras are 16mm motion picture cameras manufactured by the Cinema Products Corporation of Hollywood, California.A range of cameras of Auricon ancestry, they were primarily intended for television news filming and were quite popular with local and national news agencies before the advent of portable videotape Electronic News Gathering, (ENG ...
When invited (along with Victor) into Kodak's 16 mm plans in 1920, the company was quick to see the advantages and immediately set about redesigning the 17.5 mm camera for 16mm film. The Filmo 70 was the first spring motor-driven 16 mm camera. In 1925 the Eyemo, a hand-held 35 mm camera based on the design of the Filmo 70 was offered. It was ...
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