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Rivendell is a direct translation or calque into English of the Sindarin Imladris, both meaning "deep valley". The name Rivendell is formed by two English elements: "riven" (split, cloven) and "dell" (valley). Imladris was rendered "Karningul" in Westron, the "Common Tongue" of Middle-earth represented as English in the text of The Lord of the ...
J. R. R. Tolkien accompanied his Middle-earth fantasy writings with a wide variety of non-narrative materials, including paintings and drawings, calligraphy, and maps.In his lifetime, some of his artworks were included in his novels The Hobbit and The Lord of the Rings; others were used on the covers of different editions of these books, and later on the cover of The Silmarillion.
Of A Tolkien Tapestry, Howick commented that the paintings ranged from "brilliant" and complex, like "Battle of the Hornburg II", to much simpler works which he found less appealing. He noted, too, that Blok sometimes departed from Tolkien's text, for instance giving Gollum a beak, and allowing the comfortable hobbit-hole of Bag End to have an ...
Tolkien's illustration of the Doors of Durin for The Fellowship of the Ring, with Sindarin inscription in Tengwar script, both being his inventions. Despite his best efforts, this was the only drawing, other than maps and calligraphy, in the first edition of The Lord of the Rings. [1]
Alan Lee (born 20 August 1947) is an English book illustrator and film conceptual designer.He is best known for his artwork inspired by J. R. R. Tolkien's fantasy novels, and for his work on the concept design of Peter Jackson's film adaptations of Tolkien, The Lord of the Rings and The Hobbit film series.
John Howe was born in Vancouver, British Columbia.He was drawing from pre-school age, with his mother's help. Around primary school age he found his mother's ability no longer living up to his expectations, and even got frustrated once at both his mother and himself at not being able to draw a cow to his expectations.
Nasmith's Tolkien artwork, which echoes the luminist landscapes and Victorian neoclassical styles, eventually caught the attention of Tolkien's publishers, who included four of his paintings in the 1987 Tolkien Calendar. His artwork has appeared in many of these calendars, including several where he is the sole featured artist (1987, 1988, 1990 ...
Tolkien uses green for the Wood-Elves, blue for the Men of Lake-town (Esgaroth) on the good side; red and black for the goblins or Orcs of the bad side. Hriban notes that Tolkien continues the association of these colours with good and evil into The Lord of the Rings .