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A ritsuryo code for Buddhist clerics dated 718 CE, promulgated by the Nara government in Japan, forbid the use of dharani for any unauthorized medical treatment, military and political rebellion. The code explicitly exempted their use for "healing of the sick by chanting dharanis in accordance with the Buddha dharma". [79]
The chanting of this dhāraṇī is one of the most popular and famous piece of Buddhist music in Chinese-speaking countries and in Vietnam. Its popularity is probably due to the fact that it sung by famous Asian performers among Buddhists, such as the Nepalese-Tibetan bhikkhunī Ani Chöying Drölma, or the Malaysian-Chinese singer Imee Ooi. [f]
The Jinapanjara (Pali: jinapañjara; Thai: ชินบัญชร, Chinabanchon), sometimes known in English as "The Cage of the Conqueror", is a post-canonical Buddhist Paritta chant. It is the most popular paritta (protective text) in Thailand. [1] It has existed since the end of the nineteenth century, from the time of the reign of Rama II.
Buddhist chants are reflections on the good spiritual qualities of the Three Refuges or an enlightened teacher, and aspirations of spiritual perfection. [43] Furthermore, chanting texts is considered a way to manifest the healing power of the Buddhist teaching in the world, and to benefit and protect the nation and the world. [62]
A Buddhist chant is a form of musical verse or recitation, in some ways analogous to the religious musics and hymns of other faiths. There are numerous traditions of Buddhist chanting, singing, and music in all three major schools of Buddhism: Theravada, East Asian Buddhism, and Himalayan Vajrayana.
Aaron Proffit explains the benefits of the long version of the dharani according to the tradition of Chinese Esoteric Buddhism as follows: [4] Chanting this dhāraṇī one thousand times is said to purify all past karma, bestow rebirth in the highest level of Sukhāvatī, and produce visions of Sukhāvatī, Amitāyus Buddha, and assemblies of ...
The Medicine Buddha mantra is held to be extremely powerful for healing of physical illnesses and purification of negative karma. In Tibetan, Mahābhaiṣajya is changed to maha bekʰandze radza (མ་ཧཱ་བྷཻ་ཥ་ཛྱེ་རཱ་ཛ་) in the mantra, while 'rāja' (radza) means "king" in Sanskrit.
The dhāraṇī is thought to have originally been a recitation of names and attributes of Harihara (a composite form of the Hindu gods Vishnu and Shiva; Nīlakaṇṭha 'the blue-necked one' is a title of Shiva) said to have been recited by Avalokiteśvara, who was sometimes portrayed as introducing popular non-Buddhist deities (e.g. Hayagriva ...