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The twelve-bar blues (or blues changes) is one of the most prominent chord progressions in popular music. The blues progression has a distinctive form in lyrics, phrase, chord structure, and duration. In its basic form, it is predominantly based on the I, IV, and V chords of a key.
Eric Clapton: Life in 12 Bars is a 2017 documentary film about Eric Clapton, directed and co-produced by Lili Fini Zanuck.The film covers Clapton's early childhood, including the trauma of his mother leaving him to be raised by his grandparents, and his career, consisting of "a single-minded mission to raise the profile of the blues in popular culture". [1]
Twelve Bar Blues is a 2001 novel by Patrick Neate, [1] [2] and the winner of that year's Whitbread novel award.. The story is essentially about two people who share a common history - Fortis 'Lick' Holden, a cornet player in early 20th Century New Orleans, and Sylvia Di Napoli, a retired prostitute living in modern-day London, who is searching for her ancestry.
"Bleeding Heart" is a slow-tempo twelve-bar blues that features Elmore James' vocal and slide guitar.It was recorded during one of his last recording sessions and has session musicians providing accompaniment, instead of James' regular band the "Broomdusters".
"Help Me" is a blues standard first recorded by Sonny Boy Williamson II in 1963. [1] The song, a mid-tempo twelve-bar blues, is credited to Williamson, Willie Dixon, and Ralph Bass and is based on the 1962 instrumental hit "Green Onions" by Booker T. and the MGs. [1] "Help Me" became a hit in 1963 and reached number 24 in the Billboard R&B ...
"All Blues" is a jazz composition by Miles Davis first appearing on the influential 1959 album Kind of Blue. It is a twelve-bar blues in 6 8 ; the chord sequence is that of a basic blues and made up entirely of seventh chords , with a ♭ VI in the turnaround instead of just the usual V chord.
The song is a mid-tempo twelve-bar blues that features Tampa Red playing jazz-inflected single-note guitar fills behind his vocals. Blind John Davis provided the piano accompaniment with an unidentified bass player and, as a throwback to his earlier days, Red added a twelve-bar kazoo solo. [ 4 ]
The songs were based on the 12-bar blues format and featured Rodgers’ trademark yodel refrains. The lyrics often had a risqué quality with "a macho, slightly dangerous undertone." [1] The original 78 issue of "Blue Yodel No. 1 (T for Texas)" sold more than a half million copies, a phenomenal number at the time. The term "blue yodel" is also ...
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