Search results
Results from the WOW.Com Content Network
Henry Ossawa Tanner (June 21, 1859 – May 25, 1937) was an American artist who spent much of his career in France. He became the first African-American painter to gain international acclaim. [ 1 ] Tanner moved to Paris , France, in 1891 to study at the Académie Julian and gained acclaim in French artistic circles.
This is an incomplete list of paintings by American painter Henry Ossawa Tanner (June 21, 1859 – May 25, 1937). Tanner is the first Black artist to have a major solo exhibition in the United States, [1] and the first to have his work acquired for the collection of the White House.
Sir Henry Tanner CB ISO (1849–1935) was a prominent British architect during the late 19th and early 20th century, working for HM Office of Works. History.
Henry S. Tanner (doctor) (1831–1919), American doctor known for his 1880 great fast in New York Henry Ernest Tanner (1868–1940), English-born farmer and political figure in British Columbia Henry Tanner (architect) (1849–1935), British architect, President of the Concrete Society
The Annunciation is an 1898 painting by the African-American painter Henry Ossawa Tanner. It depicts the biblical scene of the Annunciation , where the archangel Gabriel visits Mary to announce that she will give birth to Jesus . [ 1 ]
Abraham's Oak is a painting by Henry Ossawa Tanner, an American painter who lived in France, completed about 1905. [1] While Tanner is well known today for two paintings in the United States, The Banjo Lesson and The Thankful Poor, both about African-American families, the bulk of his artwork, including some of his most iconic paintings, were concerned with exploring biblical subjects.
Flight into Egypt was a painting by Henry Ossawa Tanner, created in Paris about 1899 and displayed at the Carnegie Institute that year, along with Judas. [1] The painting, a religious work, is an example of Tanner's symbolist paintings.
The Thankful Poor is an 1894 genre painting by the African-American painter Henry Ossawa Tanner.It depicts two African Americans praying at a table, and shares common themes with Tanner's other paintings from the 1890s including The Banjo Lesson (1893) and The Young Sabot Maker (1895).