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The essays are: "Beowulf: The Monsters and the Critics" looks at the critics' understanding of Beowulf, and proposes instead a fresh take on the poem. "On Translating Beowulf " looks at the difficulties in translating the poem from Old English. "On Fairy-Stories", the 1939 Andrew Lang lecture at St Andrew's University, is a defence of the ...
J. R. R. Tolkien's essay "Beowulf: The Monsters and the Critics", initially delivered as the Sir Israel Gollancz Memorial Lecture at the British Academy in 1936, and first published as a paper in the Proceedings of the British Academy that same year, is regarded as a formative work in modern Beowulf studies.
Tolkien ends the essay with an analysis of lines 210–228 of Beowulf, providing the original text, marked up with stresses and his metrical patterns for each half-line, as well as a literal translation with poetical words underlined. He notes that there are three words for boat and for wave, five for men, four for sea: in each case some are ...
This category is for essays, lectures, studies, letters and other short works of non-fiction by J. R. R. Tolkien. Pages in category "Essays by J. R. R. Tolkien" The following 13 pages are in this category, out of 13 total.
Beowulf and the Critics by J. R. R. Tolkien is a 2002 book edited by Michael D. C. Drout that presents scholarly editions of the two manuscript versions of Tolkien's essays or lecture series "Beowulf and the Critics", which served as the basis for the much shorter 1936 lecture "Beowulf: The Monsters and the Critics".
Translating Beowulf is one of the subjects of the 2012 publication Beowulf at Kalamazoo, containing a section with 10 essays on translation, and a section with 22 reviews of Heaney's translation, some of which compare Heaney's work with Liuzza's. [115]
It represents Tolkien's attempt to reconstruct the folktale underlying the narrative of the first half of Beowulf. The book ends with two versions of Tolkien's "The Lay of Beowulf". The former, subtitled "Beowulf and Grendel", is a poem or song [5] of seven eight-line stanzas about Beowulf's victory over Grendel. The latter is a poem of fifteen ...
Osborn is well known for her work on medieval work in translation, especially the Old English poem Beowulf. Osborn's translation of Beowulf, published as a Verse Translation with Treasures of the Ancient North (1983), brought together material culture from across northern Europe to 'help us visualise the world of the poem'. [11]