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The painting was one of the "poesie" series painted by Titian for Philip II of Spain.With Diana and Callisto and Diana and Actaeon, both now shared by London and Edinburgh; it was one of three Titian poesie given by Philip V of Spain to the French ambassador, the Duke of Gramont, who in turn presented them to Philippe II, Duke of Orléans, Regent of France from 1715 to 1723.
The work was painted in Rome, with sketch 136 in his Liber Veritatis equating to it. [1] Below that sketch is the inscription "facto al pio Cardinal […] creato pero giusto pap […]" ("made for the pious cardinal […] elected pope […]") - the word "Cardinal" is very close to the edge of the sheet and it seems likely that the name of the commissioner was cut off when binding the scattered ...
The Rape of Europa is a painting commissioned by Władysław IV Vasa from the Italian artist Guido Reni, completed between 1637 and 1639 and showing the abduction of Europa by Zeus in the form of a bull.
Most commonly, art depicted either the moment of the rape, or Lucretia is shown alone at the moment of her suicide. [6] In this near life-size late version, which Titian said in a letter of 1568 (three years before it was completed) was "an invention involving greater labour and artifice than anything, perhaps, that I have produced for many years", [7] the drama of the composition is ...
The Rape of Europa (Spanish: El rapto de Europa) is a 1772 painting created by Spanish painter and printmaker Francisco José de Goya y Lucientes [5] (1746–1828) depicting Europa's abduction by the Greek god Zeus in the form of a bull. The classical theme from Greek mythology has also been painted by numerous Old Masters.
Skin is in! There have been no shortage of wardrobe malfunctions in 2017, and we have stars like Bella Hadid, Chrissy Teigen and Courtney Stodden to thank for that.
Pages in category "Paintings of Europa (consort of Zeus)" ... The Rape of Europa (Goya) This page was last edited on 2 May 2024, at 01:03 (UTC). Text is ...
From ancient history to the modern day, the clitoris has been discredited, dismissed and deleted -- and women's pleasure has often been left out of the conversation entirely. Now, an underground art movement led by artist Sophia Wallace is emerging across the globe to challenge the lies, question the myths and rewrite the rules around sex and the female body.