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The concept of "mode" in Western music theory has three successive stages: in Gregorian chant theory, in Renaissance polyphonic theory, and in tonal harmonic music of the common practice period. In all three contexts, "mode" incorporates the idea of the diatonic scale , but differs from it by also involving an element of melody type .
In the medieval theory of rhythmic organisation, a mode was understood as a patterned sequence of long and short values. The expressions "rhythmic mode" and "modal rhythm", however, are modern names applied to the medieval concept.
In Byzantine modal theory , the word "plagal" ("plagios") refers to the four lower-lying echoi, or modes. [9] Thus plagal first mode (also known as "tone 5" in the Russian naming system [10]) represents a somewhat more developed and widened in range version of the first mode. The plagal second mode ("tone 6" in the Russian system) has a similar ...
Locrian is the word used to describe an ancient Greek tribe that habited the three regions of Locris. [1] Although the term occurs in several classical authors on music theory, including Cleonides (as an octave species) and Athenaeus (as an obsolete harmonia), there is no warrant for the modern use of Locrian as equivalent to Glarean's hyperaeolian mode, in either classical, Renaissance, or ...
The Ionian mode is a musical mode or, in modern usage, a diatonic scale also called the major scale.It is named after the Ionian Greeks.. It is the name assigned by Heinrich Glarean in 1547 to his new authentic mode on C (mode 11 in his numbering scheme), which uses the diatonic octave species from C to the C an octave higher, divided at G (as its dominant, reciting tone/reciting note or tenor ...
Pérotin, "Alleluia nativitas", in the third rhythmic mode. In medieval music, the rhythmic modes were set patterns of long and short durations (or rhythms).The value of each note is not determined by the form of the written note (as is the case with more recent European musical notation), but rather by its position within a group of notes written as a single figure called a ligature, and by ...
Modality (theology), the organization and structure of the church, as distinct from sodality or parachurch organizations; Modality (music), in music, the subject concerning certain diatonic scales; Modalities (sociology), a concept in Anthony Giddens' structuration theory
Modes of limited transposition are musical modes or scales that fulfill specific criteria relating to their symmetry and the repetition of their interval groups. These scales may be transposed to all twelve notes of the chromatic scale, but at least two of these transpositions must result in the same pitch classes, thus their transpositions are "limited".