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Musicians and dancer, Muromachi period Traditional Japanese music is the folk or traditional music of Japan. Japan's Ministry of Education classifies hōgaku (邦楽, lit. ' Japanese music ') as a category separate from other traditional forms of music, such as gagaku (court music) or shōmyō (Buddhist chanting), but most ethnomusicologists view hōgaku, in a broad sense, as the form from ...
The oldest forms of traditional Japanese music are: shōmyō (声明 or 聲明), or Buddhist chanting; gagaku (雅楽), or orchestral court music; both of which date to the Nara (710–794) and Heian (794–1185) periods. [3] Gagaku classical music has been performed at the Imperial court since the Heian period. [4]
Ojiya-chijimi (小千谷縮) from Ojiya and Echigo-jofu (越後上布) from Echigo are two traditional fabrics woven with fine bast fiber from the ramie plant. Gagaku: 2009 00265: Gagaku (雅楽) is a type of Japanese classical music that was historically used for imperial court music and dances. Yūki-tsumugi, silk fabric production technique ...
Gagaku (雅楽, lit. "elegant music") [1] is a type of Japanese classical music that was historically used for imperial court music and dances. Gagaku was developed as court music of the Kyoto Imperial Palace, and its near-current form was established in the Heian period (794–1185) around the 10th century.
Noh is one of the four major types of Japanese theatre.. Traditional Japanese theatre is among the oldest theatre traditions in the world. Traditional theatre includes Noh, a spiritual drama, and its comic accompaniment kyōgen; kabuki, a dance and music theatrical tradition; bunraku, puppetry; and yose, a spoken drama.
The music of Japan includes a wide array of styles both distinctly traditional and modern. Traditional Japanese music is quite different from Western music and is based on the intervals of human breathing rather than mathematical timing; [44] traditional music also typically slides between notes, a feature also not commonly found in Western music.
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Benjamin Britten [29] – Britten visited Japan in 1956 and saw for the first time Japanese Noh plays, which he called "some of the most wonderful drama I have ever seen." [ 40 ] The influences were seen and heard in his ballet The Prince of the Pagodas (1957) and later in two of the three semi-operatic "Parables for Church Performance": Curlew ...