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Broadcast audio must have a good signal-to-noise ratio, where speech or music is a bare minimum of 16db above the noise of the recording or transmission system. For audio that has a much poorer signal-to-noise ratio (like cockpit voice recorders), sonic enhancement is recommended.
Dynamic range measures the ratio between the strongest un-distorted signal on a channel and the minimum discernible signal, which for most purposes is the noise level. SNR measures the ratio between an arbitrary signal level (not necessarily the most powerful signal possible) and noise.
Cable television stations can generally operate at a higher signal-to-noise ratio and can use either the 16VSB as defined in ATSC or the 256-QAM defined in SCTE, to achieve a throughput of 38.78 Mbit/s, using the same 6 MHz channel.
[5] [6] Acceptable values for wireless transmission quality loss are considered to be about 20 dB to 25 dB. [7] [8] In the absence of noise, the two images I and K are identical, and thus the MSE is zero. In this case the PSNR is infinite (or undefined, see Division by zero). [9]
The C/N ratio is measured in a manner similar to the way the signal-to-noise ratio (S/N) is measured, and both specifications give an indication of the quality of a communications channel. In the famous Shannon–Hartley theorem , the C/N ratio is equivalent to the S/N ratio.
An application of the channel capacity concept to an additive white Gaussian noise (AWGN) channel with B Hz bandwidth and signal-to-noise ratio S/N is the Shannon–Hartley theorem: C = B log 2 ( 1 + S N ) {\displaystyle C=B\log _{2}\left(1+{\frac {S}{N}}\right)\ }
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The signal-to-interference ratio (SIR or S/I), also known as the carrier-to-interference ratio (CIR or C/I), is the quotient between the average received modulated carrier power S or C and the average received co-channel interference power I, i.e. crosstalk, from other transmitters than the useful signal. [1] [2]