Search results
Results from the WOW.Com Content Network
Katharina von Bora is a non-religious opera in three acts about the life of Katharina von Bora, wife of Martin Luther, written by conductor and composer Mihai Valcu, lyrics by Bill Zeiger. It premiered on November 7, 2015, at the Will W. Orr Auditorium at Westminster College in New Wilmington, Pennsylvania , as a collaboration between New ...
Opera portal; 2010s portal; Operas published/created/first performed in the year 2015. ... Katharina von Bora (opera) L. The Last Hotel; M. Morgen und Abend; Morning ...
Katharina von Bora (opera) Koroghlu (opera) L. Loreley (opera) Luci mie traditrici; M. Mary, Queen of Scots (opera) Mathis der Maler (opera) Montezuma (Sessions opera) N.
The Last Supper (opera) The Last Temptations; Least Like the Other; Lessons in Love and Violence; Letters, Riddles and Writs; The Life and Death of Alexander Litvinenko; Lindy (opera) A Little Nightmare Music; Liu Hulan (opera) Lizzie Borden (opera) La Loca (opera) Lucio Silla
Katharina von Bora (opera) Kepler (opera) L. Loreley (opera) Die Loreley; M. I masnadieri; Mathis der Maler (opera) Die Meistersinger von Nürnberg; Mignon; N. Le ...
Katharina von Bora was the daughter to a family of Saxon lesser nobility. [3] [4] [5] According to common belief, she was born on 29 January 1499 in Lippendorf, but there is no evidence of this in contemporary documents.
MMA Club (Mixed Munich Arts Club) was a techno nightclub in Munich, Germany, renowned as one of the best in Germany in the 2010s.It was a multifaceted establishment based inside the husk of an old thermal power plant and has hosted underground techno DJs such as Richie Hawtin, Adam Beyer, Len Faki, Ben Klock, Marcel Dettmann, Ben Sims or Terence Fixmer, among many others.
[citation needed] The hymn also features in Luther, an opera by Kari Tikka that premiered in 2000. [23] [24] It has also been used by African-American composer Julius Eastman in his 1979 work Gay Guerrilla, composed for an undefined number of instruments and familiar in its recorded version for 4 pianos. Eastman's use of the hymn can arguably ...