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This melody for the traditional song "Pop Goes the Weasel" is monophonic as long as it is performed without chordal accompaniment. [1]Play ⓘ. In music, monophony is the simplest of musical textures, consisting of a melody (or "tune"), typically sung by a single singer or played by a single instrument player (e.g., a flute player) without accompanying harmony or chords.
An intuitively understandable example for a polyphonic instrument is a (classical) piano, on which the player plays different melody lines with the left and the right hand - depending on music style and composition, these may be musically tightly interrelated or may even be totally unrelated to each other, like in parts of Jazz music.
It is the music of the Roman Rite, performed in the Mass and the monastic Office. Although Gregorian chant supplanted or marginalized the other indigenous plainchant traditions of the Christian West to become the official music of the Christian liturgy, Ambrosian chant still continues in use in Milan, and there are musicologists exploring both ...
Plainsong was the exclusive form of the Western Christian church music until the ninth century, and the introduction of polyphony. [2] The monophonic chants of plainsong have a non-metric rhythm, [3] which is generally considered freer than the metered rhythms of later Western music. [3]
Major centers of ancient music developed in China, Egypt, Greece, India, Iran/Persia, the Maya civilization, Mesopotamia, and Rome. Though extremely diverse, the music of ancient civilizations is frequently characterized by monophony, improvisation, and the dominance of text in musical settings. [1]
"The Cataloguing of Chant Manuscripts as an Aid to Critical Editions and Chant History", Foundations in Music Bibliography (Evanston, IL, 1986), 241–69. "Compositional Process in Machaut's Ballades", Music from the Middle Ages through the Twentieth Century: Essays in Honor of Gwynn S. McPeek , ed. C. P. Comberiati and M.C. Steel (New York ...
Pérotin, "Alleluia nativitas", in the third rhythmic mode. In medieval music, the rhythmic modes were set patterns of long and short durations (or rhythms).The value of each note is not determined by the form of the written note (as is the case with more recent European musical notation), but rather by its position within a group of notes written as a single figure called a ligature, and by ...
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