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Wedgwood devoted four years of painstaking attempts at duplicating the vase in black and white jasperware, which was finally completed in 1790, the figures perhaps modelled by William Hackwood. The replica was exhibited in London in that year, with the initial showing restricted to 1,900 tickets, which soon sold out.
Pithos (/ ˈ p ɪ θ É’ s /, [1] Ancient Greek: πίθος, plural: pithoi πίθοι) is the Greek name [2] [3] of a large storage container. The term in English is applied to such containers used among the civilizations that bordered the Mediterranean Sea in the Neolithic, the Bronze Age and the succeeding Iron Age.
White-ground vases were produced, for example, in Ionia, Laconia and on the Cycladic islands, but only in Athens did it develop into a veritable separate style beside black-figure and red-figure vase painting. For that reason, the term "white-ground pottery" or "white-ground vase painting" is usually used in reference to the Attic material only.
The best known and most impressive examples of Andalucian wares are the Alhambra vases, a number of very large vases made to stand in niches in the Alhambra in Granada, and perhaps elsewhere. These are very atypical in Islamic pottery in having only a decorative function, with no practical purpose, and are "by far" the largest pieces of ...
Vases generally share a similar shape. The foot or the base may be bulbous, flat, carinate, [1] or another shape. The body forms the main portion of the piece. Some vases have a shoulder, where the body curves inward, a neck, which gives height, and a lip, where the vase flares back out at the top. Some vases are also given handles.
The pinnacle of the factory's output was the two intricately decorated "Rhinoceros" vases which were advertised by the works as being the largest single-piece porcelain objects in existence (one of which is in the Victoria and Albert Museum and the other of which is in the Clifton Park Museum in Rotherham) and a large exquisite dessert service ...
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