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"Christmas Canon" is a Christmas song by the Trans-Siberian Orchestra (TSO) from their 1998 album The Christmas Attic. The song is set to the tune of Johann Pachelbel 's Canon in D Major with new lyrics added.
The Christmas Attic is the second studio album by the American rock band Trans-Siberian Orchestra, released in 1998. The cover art is by Edgar Jerins. [5] On September 5, 2019, The Christmas Attic was certified 2× platinum by the Recording Industry Association of America. [6]
Trans-Siberian Orchestra (TSO [5]) is an American heavy metal band founded in 1996 by producer, composer, and lyricist Paul O'Neill, who brought together Jon Oliva and Al Pitrelli (both members of Savatage) and keyboardist and co-producer Robert Kinkel to form the core of the creative team.
Christmas Eve and Other Stories is the debut studio album by American symphonic metal band Trans-Siberian Orchestra. It was released on October 15, 1996, through Lava Records and Atlantic Records . It is the first album in the band's "Christmas trilogy", with The Christmas Attic (1998) and The Lost Christmas Eve (2004) coming afterward.
The Ghosts of Christmas Eve is a 1999 made-for-television film showcasing a Christmas music performance by Trans-Siberian Orchestra, starring Ossie Davis and Allie Sheridan. Guest performers included Michael Crawford and Jewel . [ 2 ]
Canon in D placed second on the Classical chart, behind Edward Elgar's "Nimrod". [4] The Trans-Siberian Orchestra's 1998 song "Christmas Canon" is a "take" on Pachelbel's Canon. [31] JerryC's version, titled "Canon Rock", was one of the earliest viral videos on YouTube when it was covered by Funtwo. [32] "
It was re-released by the Trans-Siberian Orchestra, a side project of several Savatage members, on their 1996 debut album Christmas Eve and Other Stories. The piece describes a lone cello player (based on Vedran Smailović) playing a forgotten Christmas carol in war-torn Sarajevo.
The Lost Christmas Eve is the final installment in TSO's Christmas trilogy. "The record continues the tradition of its two predecessors by telling a musical tale of loss and redemption, this one encompassing a rundown hotel, an old toy store, a blues bar, a gothic cathedral and their respective inhabitants, whose destinies are intertwined by a single enchanted evening in New York City.
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