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Aging is a process by which an artwork, typically a painting or sculpture, is made to appear old. It is meant to emulate the natural deterioration that can occur over many decades or centuries. Although there may be "innocent" reasons for it, ageing is a technique very often used in art forgery. [1]
Fluid paint, in general, is a moveable form of acrylic paint. Fluid paints can be used like watercolors, for acrylic pouring, or for glazing and washes. To create a more fluid consistency, water or a pouring medium is added to the paint. The ratio of paint to water/pouring medium depends on how thick the glaze or pouring paint is expected to be.
Storage of acrylic paintings should be clean and free of dust and heat – below room temperature is best as it will reduce further softening of the top layer of the paint. Exposing acrylic paintings to temperatures ranging near sub zero will cause damaging cracking. Acrylic paint is highly susceptible to mold growth.
Typical French craquelure in a portrait from c. 1750, larger and less regular patterns, with curving cracks. Painting systems are composed of complex layers with unique mechanical properties that depend on the type of drying oil or paint medium used and the presence of paint additives, such as organic solvents, surfactants, and plasticizers.
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Tempera painting was the primary panel painting medium for nearly every painter in the European Medieval and Early renaissance period up to 1500. For example, most surviving panel paintings attributed to Michelangelo are executed in egg tempera, an exception being his Doni Tondo which uses both tempera and oil paint.
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