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The Hillsong Church started in Australia and from there spread as a Pentecostal movement. Since they started releasing recordings in 1992, they have published and recorded hundreds of songs on over 50 albums, mostly under their own label, Hillsong Music. Below is a list of songs arranged alphabetically by title.
A view of the location of the "(Keep Feeling) Fascination" music video in 2014. Unusually for Human League videos to this point, the band are all seen playing instruments as if it were a live performance. Philip Oakey said in 1983: "The aim of the video is to show that we're a group who play music together ...
Amazing Love is the fifth album in the Worship series of praise & worship albums by Hillsong Church, which was released in April 2002. The album reached No. 25 on the Billboard Top Contemporary Christian Albums Chart. [1]
Touching Heaven Changing Earth is the seventh album in the live praise and worship series of contemporary worship music by Hillsong Church. The album reached No. 31 on the Billboard Top Contemporary Christian Albums Chart.
All of the Above is the first studio album and overall eighth album by Hillsong United and the first of a three-part global project. The album includes a DVD containing three live worship tracks recorded at the 2006 Encounterfest youth conference, a sermon from Phil Dooley and a bonus features section.
The Oxford Companion to Music describes three interrelated uses of the term "music theory": The first is the "rudiments", that are needed to understand music notation (key signatures, time signatures, and rhythmic notation); the second is learning scholars' views on music from antiquity to the present; the third is a sub-topic of musicology ...
A guitarist performing a C chord with G bass. In Western music theory, a chord is a group [a] of notes played together for their harmonic consonance or dissonance.The most basic type of chord is a triad, so called because it consists of three distinct notes: the root note along with intervals of a third and a fifth above the root note. [1]
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...