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Wiegenlied" ("Lullaby"; "Cradle Song"), Op. 49, No. 4, is a lied for voice and piano by Johannes Brahms which was first published in 1868. It is one of the composer's most famous pieces. It is one of the composer's most famous pieces.
A sandman is a mythical figure in German and other European folk tales who sprinkles sand in the children's eyes at night, making them drowsy and inspiring beautiful dreams. Johannes Brahms wrote a piano accompaniment for this song in 1858 as no. 4 in his collection 15 Volkskinderlieder (15 Folk Songs for Children), WoO 31. [1]
As a template for the first stanza was a Low German version of Johann Friedrich Schütze's Holstein Idioticon (1806), [3] the other stanzas are added poetry of Clemens Brentano. Franz Magnus Böhme reprinted 36 text variants in 1897. Johannes Brahms set the text to his own music as No. 11 in his collection 15 Volkskinderlieder, WoO 31 (1857). [4]
Two Songs for Voice, Viola and Piano (German: Zwei Gesänge für eine Altstimme mit Bratsche und Klavier), Op. 91, were composed by Johannes Brahms for his friends Joseph Joachim and his wife Amalie. The text of the first song, "Gestillte Sehnsucht" (Longing at rest), is a poem by Friedrich Rückert, composed in 1884.
Wiegenlied (German for "lullaby") may refer to: Wiegenlied (Brahms), the composer's Op. 49, No. 4 "Wiegenlied, D 498" (Schubert), "Schlafe, schlafe, holder, süßer Knabe" and two other songs by Franz Schubert "Wiegenlied" (Des Knaben Wunderhorn), German folk song
Lullaby by François Nicholas Riss A lullaby (/ ˈ l ʌ l ə b aɪ /), or a cradle song, is a soothing song or piece of music that is usually played for (or sung to) children (for adults see music and sleep). The purposes of lullabies vary. In some societies, they are used to pass down cultural knowledge or tradition.
Schlafe, mein Prinzchen, schlaf ein, Schäfchen ruhn und Vögelein, Garten und Wiese verstummt, auch nicht ein Bienchen mehr summt, Luna mit silbernem Schein
2nd mvt is a theme and variations on the old German Minnelied Verstohlen geht der Mond auf, later set for female chorus and piano as Ständchen WoO 38 No. 20; the ms is entitled Sonata No. 4; as Op. 2 was written before this one, Brahms wrote two other Piano Sonatas prior to this (Anh. 2a/15) that he destroyed Op. 5: Piano Sonata No. 3 in F minor