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The Scapegoat is a 1957 novel by Daphne du Maurier.In a bar in France, a lonely English academic on holiday meets his double, a French aristocrat who gets him drunk, swaps identities and disappears, leaving the Englishman to sort out the Frenchman's extensive financial and family problems.
The Scapegoat is a 1959 British mystery film directed by Robert Hamer and starring Alec Guinness, Nicole Maurey and Bette Davis. [ 2 ] [ 3 ] [ 4 ] The screenplay was by Hamer and Gore Vidal based on the 1957 novel of the same name by Daphne du Maurier .
The Scapegoat is a British film adaptation of Daphne du Maurier's 1957 novel of the same name. The drama is written and directed by Charles Sturridge and stars Matthew Rhys as lookalike characters John Standing and Johnny Spence. It was broadcast on ITV on 9 September 2012.
The Scapegoat (1959 film) Y. The Years Between (film) ... Category: Films based on works by Daphne du Maurier. 11 languages ...
Daphne du Maurier was born at 24 Cumberland Terrace, Regent's Park, London, the middle of three daughters of prominent actor-manager Sir Gerald du Maurier and actress Muriel Beaumont. [3] Her paternal grandfather was author and Punch cartoonist George du Maurier , who created the character of Svengali in the 1894 novel Trilby .
The Scapegoat (Du Maurier novel), a 1957 novel by Daphne du Maurier; Scapegoat, an investigation into the trial of Richard Hauptmann; Scapegoat: The Jews, Israel, and Women's Liberation, a 2000 book by Andrea Dworkin "The Scapegoat" (Cherryh novel), a 1985 novella by science fiction writer C. J. Cherryh; The Scapegoat, a novel by Hall Caine
That day, in August 2013, Patrick got in the car and put the duffel bag on a seat. Inside was a talisman he’d been given by the treatment facility: a hardcover fourth edition of the Alcoholics Anonymous bible known as “The Big Book.”
Kirkus Reviews began "A haunting series of stories, in most cases putting it up to the reader to interpret the final outcome – in all cases using the device of the moment in life when emotion or reason reaches the point of tension beyond which something snaps", and finished with "In this collection...Daphne du Maurier's peerless craftmanship, her eerie sense of the macabre, her gift for ...
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