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"Come as You Are" is an alternative rock song that lasts for a duration of three minutes and thirty-eight seconds. [1] According to the sheet music published at Musicnotes.com by BMG Rights Management, it is written in the time signature of common time, with a heavy rock tempo of 120 beats per minute. [1] "
"Come as You Are" is the lead single from English singer Beverley Knight's fourth studio album, Affirmation (2004). Co-written by Guy Chambers, it was Knight's second UK top-10 hit and is her highest-charting song in the UK, peaking at number nine and remaining in the UK top 75 for 10 weeks. It also briefly charted in Germany, peaking at number ...
Come as You Are, a 1987 album by Peter Wolf; Come as You Are, a 2004 album by Mindi Abair; Come as You Are, a 1976 album by Ashford & Simpson; Come as You Are, a 2004 album by Beverley Knight; Come as You Are, a 2005 album by Jaci Velasquez
IV-V-I-vi chord progression in C major: 4: Major I–V–vi–IV: I–V–vi–IV chord progression in C: 4: Major I–IV– ♭ VII–IV: I–IV– ♭ VII–IV. 3: Mix. ii–V–I progression: ii–V–I: 3: Major ii–V–I with tritone substitution (♭ II7 instead of V7) ii– ♭ II –I: 3: Major ii-V-I with ♭ III + as dominant ...
The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.
Justin Tranter pays attention to details. This applies to all aspects of the hit songwriter’s life: his home; his fashion; his Facet Records and Publishing; the queer, vegan, and songwriting ...
A chord chart. Play ⓘ. A chord chart (or chart) is a form of musical notation that describes the basic harmonic and rhythmic information for a song or tune. It is the most common form of notation used by professional session musicians playing jazz or popular music.
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...