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Hasselblad 1600F with Kodak Ektar 2.8/80 mm lens Hasselblad 500C camera with Carl Zeiss 2.8/80mm lens. Hasselblad's first civilian camera was launched in 1948. Born from the idea of Victor Hasselblad to create the "ideal camera", it was a 6 × 6 cm format focal-plane shutter SLR camera that was six inches long. [31]
The traditional Hasselblad medium format film cameras capture images on 120 film in the 6×6 cm (nominal) frame size; the actual frame size measures 56.5×56.5 mm (2.22×2.22 in), which is larger than small format 135 film, with a frame size of 36×24 mm (1.42×0.94 in). This means the crop factor for most film-based Hasselblad cameras (based ...
Diagram illustrating the flange focal length of an SLR–type and a mirrorless–type camera. For an interchangeable lens camera, the flange focal distance (FFD) (also known as the flange-to-film distance, flange focal depth, flange back distance (FBD), flange focal length (FFL), back focus [1] or register, depending on the usage and source) of a lens mount system is the distance from the ...
In 1998 Phase One launched the Lightphase. which was the first one-shot back that could compete with film in terms of quality. Resolution was 6 MP and the physical size of the CCD was full-frame 35 mm, however the back was designed to be used on Hasselblad 500-series cameras.
On the other hand, the Hasselblad-based Kievs can shoot the 6x4.5 frame size by simply using a different film back. The 6x4.5 film back is interchangeable with 6x6 backs on others, for example instant film backs, while the Pentacon Six-based Kiev frame size modifications are permanent.
Back to the Future Part II (1989) and Part III (1990), of the Back to the Future film series [5] [6] Critters 3 and 4 (both 1991), two films of the Critters series; The Lost World and Return to the Lost World (both 1992) Smoking/No Smoking (1993) The Three Colours trilogy: Blue (1993), White (1994) and Red (1994) Joan the Maiden (1994)
Once past a shaky opening overloaded with frenetic exposition, this time-travel odyssey accelerates with wit, ideas and infectious, wide-eyed wonder. Following nationwide, jumbo opening July 3 ...
The Hasselblad lunar surface data camera used on the Apollo Moon missions was fitted with a Réseau plate made of glass and fitted to the back of the camera body, extremely close to the film plane. The plate was 5.4 × 5.4 cm in the film plane, which was the useful exposure area on the 70 mm film.
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