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Koga Domain was located at the center of the Kantō Plain.Due to heavy snowfall, the Koga Domain was a good place to observe snowflakes.. Doi Toshitsura, the fourth daimyō of Koga Domain started observing snowflakes as his hobby with his own microscope which was imported from the Netherlands, and he drew pictures and studies about snowflakes in the book.
Nakaya Ukichoro Museum of Snow and Ice (the hexagonal building, echoing the six-sided nature of snowflakes), at Katayamazu hot springs, Kaga, Ishikawa, Japan. Nakaya was born near the Katayamazu hot springs in Kaga, Ishikawa Prefecture, near the area depicted in Hokuetsu Seppu, an encyclopedic work published in 1837 that contains 183 sketches of natural snowflake crystals – the subject that ...
Kawana ware (川名焼, Kawana-yaki) refers to a type of Japanese porcelain produced in and around the area of Kawana (川名), today Kawanayama-chō (川名山町) in Shōwa-ku, Nagoya, central Japan. It is of the sometsuke (染付) blue and white pottery type, [1] but notable for using the English technique of transfer printing.
The list of Japanese ceramics sites (日本の陶磁器産地一覧, Nihon no tōjiki sanchi ichiran) consists of historical and existing pottery kilns in Japan and the Japanese pottery and porcelain ware they primarily produced. The list contains kilns of the post-Heian period.
Transfer printing is a method of decorating pottery or other materials using an engraved copper or steel plate from which a monochrome print on paper is taken which is then transferred by pressing onto the ceramic piece. [1] Pottery decorated using this technique is known as transferware or transfer ware.
Underglaze transfers are a technique that involves screenprinting or free handing a pattern onto a transfer paper (often rice paper or newspaper) which is then placed, dampened, and burnished onto the surface of a leather-hard piece of clay (similar to how a lick-and-stick tattoo might be applied). [21]
[citation needed] The first known use of the French term décalcomanie, in Mary Elizabeth Braddon's Eleanor's Victory (1863), was followed by the English decalcomania in an 1865 trade show catalog (The Tenth Exhibition of the Massachusetts Charitable Mechanic Association); it was popularized during the ceramic transfer craze of the mid-1870s.
Japanese ceramic history records the names of numerous distinguished ceramists, and some were artist-potters, e.g. Hon'ami Kōetsu, Ninsei, Ogata Kenzan, and Aoki Mokubei. [2] Japanese anagama kilns also have flourished through the ages, and their influence weighs with that of the potters.