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Winogrand's parents, Abraham and Bertha, [1] emigrated to the U.S. from Budapest and Warsaw. Garry grew up with his sister Stella in a predominantly Jewish working-class area of the Bronx, New York, where his father was a leather worker in the garment industry, and his mother made neckties for piecemeal work.
New Documents was an influential [1] documentary photography exhibition at Museum of Modern Art, New York, in 1967, curated by John Szarkowski. [2] It presented photographs by Diane Arbus, Lee Friedlander and Garry Winogrand and is said to have "represented a shift in emphasis" [3] and "identified a new direction in photography: pictures that seemed to have a casual, snapshot-like look and ...
Garry Winogrand (1928–1984) Dawn Wirth (born 1960) Ernest Withers (1922–2007) Joel-Peter Witkin (born 1939) Marion Post Wolcott (1910–1990) Art Wolfe (born 1951) Bernard Pierre Wolff (1930–1985) Francesca Woodman (1958–1981) Don Worth (1924–2009) Bruce Wrighton (1950–1988) Thomas Joseph Wynne (photographer) (1838–26 October 1893 ...
Rubinfien is also a writer, who has published essays on major photographers of the 20th century. He contributed a memoir, Colors of Daylight to Starburst: Color Photography in America, 1970-1980 (2010). He is co-author of Shomei Tomatsu / Skin of the Nation (2004) and editor of Garry Winogrand (2013).
Diane Arbus (/ d iː ˈ æ n ˈ ɑːr b ə s /; née Nemerov; March 14, 1923 – July 26, 1971 [2]) was an American photographer. [3] [4] She photographed a wide range of subjects including strippers, carnival performers, nudists, people with dwarfism, children, mothers, couples, elderly people, and middle-class families. [5]
"I really honed in on the 1950s because of my grandparents," Fay explained to AOL Lifestyle. "They got married in 1955 and her [grandmother's] stories...just made it sound like the best time ever
[15] Szarkowski brought to prominence the work of Diane Arbus, Lee Friedlander and Garry Winogrand in his influential exhibition “New Documents” at the Museum of Modern Art in 1967, [11] in which he identified a new trend in photography: pictures that seemed to have a casual, snapshot-like look and had subject matter that seemed strikingly ...
Armstrong Circle Theatre is an American anthology drama television series which ran from June 6, 1950, to June 25, 1957, on NBC, and from October 2, 1957, to August 28, 1963, on CBS. [1] It alternated weekly with The United States Steel Hour .