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Her professional design career began in the 1960s, working as an advertising and fashion illustrator for Strouss and Hartzell, Rose and Sons. [5]Leavitt-Imblum began publishing embroidery designs around 1986, when she showed her original design "The Quilting", depicting an Amish quilting bee, to the owner of a local needlework shop who told her that if she graphed the design the shop would ...
Needlework was an important fact of women's identity during the Victorian age, including embroidery, netting, knitting, crochet, and Berlin wool work. A growing middle class had more leisure time than ever before; printed materials offered homemakers thousands of patterns.
Traditionally needlepoint designs completely cover the canvas. [1] Although needlepoint may be worked in a variety of stitches, many needlepoint designs use only a simple tent stitch and rely upon color changes in the yarn to construct the pattern. Needlepoint is the oldest form of canvas work.
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Straight stitch – the basic stitch in hand-sewing and embroidery; Tacking stitch (UK, also baste or pin) – quick, temporary stitching intended to be removed; Tent stitch – diagonal embroidery stitch at a 45-degree angle; Topstitch – used on garment edges such as necklines and hems, helps facings stay in place and gives a crisp edge
William George Paulson Townsend, who taught drawing and became master of design at the school, also published several works including Embroidery, or, The craft of the needle and Plant and floral studies for designers, art students, and craftsmen, the latter of which was reprinted in 2005. [15] [16] [17]
Bargello is a type of needlepoint embroidery consisting of upright flat stitches laid in a mathematical pattern to create motifs. The name originates from a series of chairs found in the Bargello palace in Florence, which have a "flame stitch" pattern. Traditionally, Bargello was stitched in wool on canvas. Embroidery done this way is ...
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