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Clementine Hunter (pronounced Clementeen; late December 1886 or early January 1887 – January 1, 1988) was a self-taught Black folk artist from the Cane River region of Louisiana, who lived and worked on Melrose Plantation.
Black Woman with Peonies by Frédéric Bazille (1870) located at the National Gallery of Art, Washington, D.C.. Black Woman with Peonies also known as Négresse aux pivoines, Young Woman with Peonies, or Negress with Peonies, is a pair of paintings created by the French Impressionist painter Frédéric Bazille in the spring of 1870.
The half-length portrait measures 81 cm × 65 cm (32 in × 26 in). It depicts a young black woman, sitting in a gilt armchair mostly covered with a blue cloth, in front of a plain light background. She is seated in a three-quarter position towards her left, but her head turns to look directly at the viewer with a self-assured expression.
Sherald is a graduate of St. Anne-Pacelli Catholic School in Columbus. [17] She enrolled at Clark Atlanta University, where Sherald began college on the pre-med track her parents hoped for, but as a sophomore cross-registered for a painting class at Spelman College, which introduced Sherald to Panama-born artist and art historian Arturo Lindsay, whose work focuses on the African influence on ...
The Black Paintings (Spanish: Pinturas negras) is the name given to a group of 14 paintings by Francisco Goya from the later years of his life, probably between 1820 and 1823. They portray intense, haunting themes, reflective of both his fear of insanity and his bleak outlook on humanity.
Some African-American women were also active in the feminist art movement in the 1970s. Faith Ringgold made work that featured black female subjects and that addressed the conjunction of racism and sexism in the U.S., while the collective Where We At (WWA) held exhibitions exclusively featuring the artwork of African-American women. [55]
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