Search results
Results from the WOW.Com Content Network
Shōgun (Japanese: 将軍, pronounced [ɕoːɡɯɴ] ⓘ) is an American historical drama television series created by Rachel Kondo and Justin Marks.It is based on the 1975 novel by James Clavell, which was previously adapted into a 1980 miniseries.
"Tomorrow Is Tomorrow" (Japanese: 明日は明日, Hepburn: Ashita wa Ashita) is the third episode of the American historical drama television series Shōgun, based on the novel by James Clavell. The episode was written by co-executive producer Shannon Goss, and directed by Charlotte Brändström.
Sean T. Collins of The New York Times wrote, "Clearly, Shogun is building steam as our knowledge of both the characters and the stakes deepen. The more you see of it, the more you want to know how it ends." [9] Josh Rosenberg of Esquire wrote, ""War will be declared on my clan," Toranaga tells his men. "I desire no land. I want no honors.
IN FOCUS: The new FX/Disney+ series, adapted from James Clavell’s 1975 novel, is the most-nominated show at this year’s Emmy Awards. As Kevin E G Perry writes, both the book and show take ...
"Crimson Sky" (Japanese: 紅天, Hepburn: Kōten) is the ninth episode of the American historical drama television series Shōgun, based on the novel by James Clavell.
"A Dream of a Dream" (Japanese: 夢の中の夢, Hepburn: Yume no Naka no Yume) is the tenth and final episode of the first season of the American historical drama television series Shōgun, based on the novel by James Clavell. The episode was written by Maegan Houang and Emily Yoshida, and directed by Frederick E. O. Toye.
"Servants of Two Masters" (Japanese: 二人の主君に仕えて, Hepburn: Futari no Shukun ni Tsukaete) is the second episode of the American historical drama television series Shōgun, based on the novel by James Clavell.
"Broken to the Fist" (Japanese: 父の怒り, Hepburn: Chichi no Ikari) is the fifth episode of the American historical drama television series Shōgun, based on the novel by James Clavell. The episode was written by consulting producer Matt Lambert, and directed by Frederick E. O. Toye.