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If we follow on to know the LORD: his going forth is prepared as the morning, and he shall come unto us as the rain, as the latter and former rain unto the earth. Cushing wrote this hymn in New York after he became a Christian minister in 1854; he started writing hymns in 1870 when his health declined, forcing him to retire.
The song's refrain follows a prayer ascribed to the 13th-century English bishop Saint Richard of Chichester: May I know Thee more clearly, Love Thee more dearly, Follow Thee more nearly. [3] The version in Godspell follows more closely the wording in Hymn 429 of the 1940 Hymnal: Day by day, Dear Lord, of thee three things I pray: To see thee ...
It is the second song on side B of the Columbia LP containing 12 songs in all. Though a "pop" song, radio stations across the United States continue to program George Morgan's version as a gospel selection to this day. [citation needed] The song was performed live by Leonard Cohen since 1988 and was released on his album Live in London (2009).
"The Summons" is set to the tune of Kelvingrove, a traditional Scottish melody. Its text contains thirteen questions asked by Jesus in the first person. [5] [6] The initial four stanzas with the questions are in Jesus' voice, and the fifth stanza is the singer's response to them. [1]
"I Have Decided to Follow Jesus" is a Christian hymn that originated in Assam, present-day Meghalaya, India. According to P. Job, the lyrics are based on the last words of Nokseng, a Garo man, a tribe from Meghalaya which then was in Assam, who converted to Christianity in the middle of the 19th century through the efforts of an American Baptist missionary.
Songs performed included several that Cash had previously recorded for records such as The Holy Land and Hello, I'm Johnny Cash ("He Turned the Water Into Wine" and "Jesus Was a Carpenter", respectively), along with cover versions of the Larry Gatlin song "Help Me" (which is titled simply "Help" on this release) and "Follow Me" by John Denver.
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"E'en So, Lord Jesus, Quickly Come" is a 1953 motet composed by Paul Manz with lyrics adapted by Ruth Manz.The piece is adapted from text found in the Book of Revelation.It is known as Paul Manz's most notable composition and has been frequently performed by numerous ensembles and choral groups such as the King's College Choir, who are thought to have popularized it.