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The song originates from when the band stayed at Virgin Gorda in the British Virgin Islands in January 1982, travelling on a yacht that was named Orianda. [4]Drummer and lyricist Neil Peart wrote the lyrics for the song at first as a companion piece to "Digital Man", a song that Rush had started working on in late 1981, and presented it to bassist Geddy Lee.
Signals is the ninth studio album by Canadian rock band Rush, released on September 9, 1982 by Anthem Records. [3] After the release of their previous album, Moving Pictures, the band started to prepare material for a follow-up during soundchecks on their 1981 concert tour and during the mixing of their subsequent live album Exit...Stage Left.
First time all three of members of the band collaborated on the lyrics. [48] "Digital Man" Signals: 1982 "The digital man character was running in the fast lane, faster than life." ~ Neil Peart [49] "The Weapon" Signals: 1982 Fear: Part II "New World Man" Signals: 1982 Billboard Hot 100 highest charting single for the band (#21; 30 Oct 1982 ...
Vapor Trails is the seventeenth studio album by Canadian rock band Rush.It was released on May 14, 2002, [6] on Anthem Records, and was their first studio release since Test for Echo (1996), the longest gap between two Rush albums.
"Working Man" is a song by Canadian rock band Rush. In an interview on the Rolling Stone YouTube channel, bassist and lead vocalist Geddy Lee said that "Working Man" is his favorite song to play live. [1] "Working Man" became a favourite among Rush fans; [2] the guitar solo appeared on Guitar World magazine's 100 Greatest Guitar Solos list. [3]
"New World Man" is a hit single from the 1982 album Signals by Canadian rock band Rush. The song was the last and most quickly composed song on the album, stemming from a suggestion by then-Rush producer Terry Brown to even out the lengths of the two sides of the cassette version.
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"The Pass" is the second single from Rush's 1989 album Presto. The lyrics by drummer Neil Peart address teenage suicide [1] [2] and the tendency to romanticize it. [3] The song peaked at No. 15 on the U.S. Hot Mainstream Rock Tracks chart, and a music video was made for the song.