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Hiroshi Yoshida (吉田 博, Yoshida Hiroshi, September 19, 1876 – April 5, 1950) was a 20th-century Japanese painter and woodblock printmaker. Along with Hasui Kawase , he is regarded as one of the greatest artists of the shin-hanga style, and is noted especially for his landscape prints.
In India the main importance of the technique has always been as a method of printing textiles, which has been a large industry since at least the 10th century. [37] Nowadays wooden block printing is commonly used for creating beautiful textiles, such as block print saree, kurta, curtains, kurtis, dress, shirts, cotton sarees.
Hikari umi (Glittering Sea), by Hiroshi Yoshida (1926) Shiba Zōjōji, by Kawase Hasui (1925) Two Cockatoos on Plum Blossom Tree, by Ohara Koson (c. 1925–1935) Shin-hanga ( 新版画 , lit. "new prints", "new woodcut (block) prints") was an art movement in early 20th-century Japan, during the Taishō and Shōwa periods , that revitalized the ...
Full color woodblock print by Hiroshi Yoshida showing two sailboats under full sail, from the series: Setonaikai shū 瀬戸内海集 ) – A series of ocean views at Seto, 1926.
Kanae Yamamoto's "Fisherman" (1904). Sōsaku-hanga (創作版画, "creative prints") was an art movement of woodblock printing which was conceived in early 20th-century Japan. . It stressed the artist as the sole creator motivated by a desire for self-expression, and advocated principles of art that is "self-drawn" (自画 jiga), "self-carved" (自刻 jikoku) and "self-printed" (自摺 jizur
Watanabe also published works by non-Japanese artists, an early success of which was a set of Indian- and Japanese-themed prints in 1916 by the English Charles W. Bartlett (1860–1940). Other publishers followed Watanabe's success, and some shin-hanga artists such as Goyō and Hiroshi Yoshida set up studios to publish their own work. [127]
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Their artistic trajectory began modestly. Prior to the mid-19th century, the Yoshida artists serving the Nakatsu clan presumably provided work in a traditional Japanese style on silk, paper, or board. But then in the Meiji Period, when the structures of Japanese society were changing radically, a young artist by the name of Kasaburo Haruno changed his name to Kasaburo Yoshida (1861–1894 ...