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Morning Star is a 2016 science fiction novel by American author Pierce Brown; it is the third in his Red Rising trilogy. Morning Star picks up as the lowborn Darrow escapes capture and resumes his campaign against the tyrannical Sovereign of the Society. Pragmatic as ever, he begins to amass the resources and allies he needs to defeat the ...
Morning Star" is a track sung by Nat King Cole from the 1958 album St. Louis Blues. "Morning Star", taken from the Paramount picture, St. Louis Blues, with new lyrics by Mack David, was based on W. C. Handy's spiritual "Shine Like a Morning Star". [1] The song describes, among other things, a mother's love for her son.
Morning star, most commonly used as a name for the planet Venus when it appears in the east before sunrise See also Venus in culture; Morning star, a name for the star Sirius, which appears in the sky just before sunrise from early July to mid-September; Morning star, a (less common) name for the planet Mercury when it appears in the east ...
[1] The first stanza, in an anonymous English translation beginning "How splendid shines the morning star", appeared in the Southern Harmony, an 1835 shape-note tunebook compiled by William Walker, where it is set to a tune called Morning Star by composer J. C. Lowry.
Wie schön leuchtet der Morgenstern ('How beautifully the morning star shines'), [1] BWV 1, is a church cantata for Annunciation by Johann Sebastian Bach. In 1725, when the cantata was composed, the feast of the Annunciation (25 March) coincided with Palm Sunday .
Morning Star is the alias of Schuyler Belial, a fictional villain appearing in American comic books published by Marvel Comics. The character has been depicted as an enemy of Moon Knight and the Werewolf by Night. He first appeared in Moon Knight #29. He was created by Doug Moench and Bill Sienkiewicz.
"Good Morning Starshine" is a pop song from the musical Hair (1967). It was a No. 3 hit in the United States in July 1969, and a No. 6 hit in the United Kingdom in October 1969, for the singer Oliver .
Franz Delitzsch sees the evening and morning as marking the end of a "day" which is aeons in length, [8] while others have seen it as marking a literal 24-hour day. [9] Theistic evolution [ 10 ] and day-age creationism follow the first interpretation, [ 11 ] while young Earth creationism follows the second. [ 12 ]