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Invocation for Cello and Piano (1908) (C.G. Roeder) Pièce Concertante for Trombone and Piano, opus 27 (1910) (Evette & Schaeffer, 1910) Rivalité de Fleurs for Voice and Piano, opus 25 (1911) (Costallat) Four Choruses in Old Sonata Form for 3 men's voices/choir and harp, organ or piano (1914) (H.W. Gray, 1918)
3. Allegro molto The Lord who said: Let there be light! He helped you in the harder fight, he stood with consolation and confidence, protective at your side. Faith in his holy word was your defense, your shield, your haven, so that you had to win. Hail, now immortality crowns you, pious hero, with glory. Hail to you, hail to us forever.
Twelve Variations for cello & piano in F major on Mozart's "Ein Mädchen oder Weibchen," Op. 66 (1796) Twelve Variations for cello & piano in G major on Handel's "See, the Conqu'ring Hero comes," WoO 45 (1796) Seven Variations for cello & piano in E flat major on Mozart's "Bei Männern," WoO 46 (1801) Karol Beffa "Marmor" for cello and piano
In 1840—a hundred years after the publication of Hymns and Sacred Poems—Mendelssohn composed a cantata to commemorate Johannes Gutenberg's invention of movable type, and it is music from this cantata, adapted by the English musician William H. Cummings to fit the lyrics of "Hark! The Herald Angels Sing", that is used for the carol today. [3 ...
Cello Concerto No. 2 in A major; Cello Concerto No. 3 in C major; Cello Concerto No. 4 in C (from c. 1777) Patric Standford. Cello Concerto (1974) Charles Villiers Stanford. Cello Concerto in D minor (1879/1880) Irish Rhapsody No. 3 (1913) Robert Starer. Cello Concerto (1988) Johannes Maria Staud. Segue (2006) Leon Stein. Cello Concerto (1970 ...
Cadenzas for two cello concertos in D major and C major by Haydn (1982) Patrick van Deurzen. Monologue (2011) David Diamond. Sonata for Violoncello Alone (1959) Friedhelm Dohl. Fantasie - Kadenz; Klezmeriana for solo cello (1983) Franco Donatoni. Lame (1982) Friedrich Dotzauer. 113 Etudes for Cello; John Downey. Lydian Suite (1975) Zsolt Durkó ...
"Ständchen" (known in English by its first line "Hark, hark, the lark"), D 889, is a lied for solo voice and piano by Franz Schubert, composed in July 1826 in the village of Währing (now a suburb of Vienna). It is a setting of the "Song" in Act 2, scene 3 of Shakespeare's Cymbeline.
The violin and cello eventually sustain the tonic C for a great amount of time while the piano and viola begin to lean toward the tonic major in a continuing I – iv progression. All instruments continue to die down as the piano plays one last descending chromatic scale, the violin and viola combine the piano's initial theme with the quarter ...
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