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[3] "Standard technical measures" are defined as measures that copyright owners use to identify or protect copyrighted works, that have been developed pursuant to a broad consensus of copyright owners and service providers in an open, fair and voluntary multi-industry process, are available to anyone on reasonable nondiscriminatory terms, and ...
All published derivative works must use exactly the same license as the original: if you use the work, you're forced to use the same license for your own original work as well. If your work is using a different license, you can't use the copyleft license, even if your work is also using a (different) copyleft licence. If you don't want to ...
In some EU countries, such as France, moral rights last indefinitely. In the UK, however, moral rights are finite. That is, the right of attribution and the right of integrity last only as long as the work is in copyright. When the copyright term comes to an end, so too do the moral rights in that work.
Our own article on public domain: "Any work receives copyright by default and copyright law generally doesn't provide any special means to "abandon" copyright so that a work can enter the public domain [ . . . ] A copyright holder can explicitly disclaim any proprietary interest in the work, effectively granting it to the public domain, by ...
In an early May 2014 article in The Guardian, an annual loss figure of US$20.5 billion was cited for the movie industry. The article's basis is the results of a University of Portsmouth study that only involved Finnish participants, aged between seven and 84. The researchers, who worked with 6,000 participants, stated: "Movie pirates are also ...
This means all books, films, songs and art published throughout the Roaring 20s are without copyright protection, making 2025 a significant year for the public domain. Here are some of the most ...
If an artistic work has been exploited with permission for the design by making articles by an industrial process and marketing them, the work may be copied by making or using articles of any description after the end of a period of twenty-five years from the end of the calendar year when such articles were first marketed (s. 52).
Effect of the use upon the potential market for or value of the copyrighted work: Here, courts review whether, and to what extent, the unlicensed use harms the existing or future market for the copyright owner's original work. In assessing this factor, courts consider whether the use is hurting the current market for the original work (for ...