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Norman Gimbel took the song, removed the somewhat melancholy Spanish lyrics about a man wondering if he shall ever love again, and wrote brand-new English lyrics about a man praising his dancing partner's ability to affect his heart with how she "sways" when they dance. This new song, titled "Sway", has become a standard in the pop repertoire.
"Sway", originally performed by Dean Martin, was released as the album's third single on June 22, 2004. It also reached the top thirty of the adult contemporary chart, while a remix of the song by Junkie XL reached the top twenty in Australia in July 2004. "Moondance" was released alongside "Sway" in Australia.
"Sway" 2003 Peter Kasden "Moondance" 2004 "Spider-Man Theme" Mike Danson "Feeling Good" 2005 Noble Jones "Home" "Save the Last Dance for Me" "Everything" 2007 Sean Turrell "Me and Mrs. Jones" "Lost" Andrew MacNaughtan "Haven't Met You Yet" 2009 Rich Lee "Hold On" "Cry Me a River" Brett Sullivan "Crazy Love" 2010 Brett Sullivan "Hollywood" Rich Lee
From a song's cover version: This is a redirect from a cover version of a song to the article about the original song this version covers.This accords with editing guidelines located at WP:SONGDAB.
The implementation of chords using particular tunings is a defining part of the literature on guitar chords, which is omitted in the abstract musical-theory of chords for all instruments. For example, in the guitar (like other stringed instruments but unlike the piano ), open-string notes are not fretted and so require less hand-motion.
Norman Gimbel (November 16, 1927 – December 19, 2018) was an American lyricist and songwriter of popular songs and themes to television shows and films. He wrote the lyrics for songs including "Ready to Take a Chance Again" (with composer Charles Fox) and "Canadian Sunset".
Alternative variants are easy from this tuning, but because several chords inherently omit the lowest string, it may leave some chords relatively thin or incomplete with the top string missing (the D chord, for instance, must be fretted 5-4-3-2-3 to include F#, the tone a major third above D). Baroque guitar standard tuning – a–D–g–b–e
A piano and an acoustic guitar carry the main melody of the song, with electric guitars audible in the chorus. Bublé's vocal arrangement is also different from his previous material; his voice often makes big interval changes in most of his material, but his voice in this particular song is projected smoothly without going into loud intervals.