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In 1710, the Great Queen Street Academy was founded here with Godfrey Kneller as its first governor. [4] A major redevelopment in the early 1900s led to the building of the broad Kingsway road, clearing away some of the maze of small streets in Holborn including part of Great Queen Street, all of Little Queen Street and the surrounding slum ...
It is located in Great Queen Street between Holborn and Covent Garden and has been a Masonic meeting place since 1775. Parts of the building are open to the public daily, and its preserved classic Art Deco style, together with its regular use as a film and television location, have made it a tourist destination.
Watercolour of the Freemasons' Tavern by John Nixon circa 1800. The Freemasons' Tavern was established in 1775 at 61–65 Great Queen Street in the West End of London.It served as a meeting place for a variety of notable organisations from the 18th century until it was demolished in 1909 to make way for the Connaught Rooms.
The Novelty Theatre (later renamed the Great Queen Street Theatre from 1900 to 1907, and the Kingsway Theatre from 1907 to 1941) was a London theatre. [1] It opened in 1882 at No 8 Great Queen Street. The theatre was accessed from Little Queen Street until 1905 and from the new Kingsway road from 1905 onwards.
The Museum of Freemasonry is located on the first floor of Freemasons' Hall, Great Queen Street, London. Originally known as the Masonic Peace Memorial Building, the imposing landmark found on the edge of Covent Garden was designed by architects Ashley and Newman in the Art Deco style and completed in 1933. It is a Grade II* listed building today.
Queen Street is a street in the City of London which runs between Upper Thames Street at its southern end to Cheapside in the north. The thoroughfares of Queen Street and King Street (a northward continuation of Queen Street beyond Cheapside) were newly laid out, cutting across more ancient routes in the City, following the Great Fire of London in 1666; they were the only notable new streets ...
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As well as being a subscriber to the Great Queen Street Academy he went on to join the Virtuosi of St. Luke and the later Rose and Crown Club. It was here that he mixed with fellow artists, musicians and collectors including William Hogarth with whom he campaigned successfully for the granting of copyright to the designers of prints in 1735.