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When God Was a Woman is the U.S. title of a 1976 book by sculptor and art historian Merlin Stone. It was published earlier in the United Kingdom as The Paradise Papers: The Suppression of Women's Rites .
Stone's hypotheses are radical and challenging to the accepted views of antiquity. She is the author of numerous short stories, book reviews, and essays, including 3,000 Years of Racism. Stone's book When God Was a Woman had a profound effect on the international Goddess movement of the 1970s and 1980s. [3]
Goddess Remembered is a 1989 Canadian documentary on the Goddess movement and feminist theories surrounding Goddess worship in Old European culture according to Marija Gimbutas, and Merlin Stone's 1976 book When God Was a Woman. The main theme of the film, composed by Loreena McKennitt, was released as the track "Ancient Pines" on her 1989 ...
God Is a Woman (French: Dieu est une femme) is a 2023 documentary film co-written and directed by Andres Peyrot, at his feature film debut. A co-production between France, Switzerland and Panama, it premiered at the 80th edition of the Venice Film Festival .
Kirkus Reviews reviewed this book and somewhat liked it, saying, "A high-concept pitch, a potboiler on the page, and a protagonist to cheer for, but the authors do not quite tie it all together." [5] Woman of God was number one in hardcover fiction category in the New York Times Best Sellers list when it first appeared on that list, on October ...
A Woman's Face is a 1941 American drama film noir directed by George Cukor and starring Joan Crawford, Melvyn Douglas and Conrad Veidt. It tells the story of Anna Holm, a facially disfigured blackmailer , who, because of her appearance, despises everyone she encounters.
And God Created Woman (French: Et Dieu... créa la femme) is a 1956 French romantic drama film directed by Roger Vadim in his directorial debut and starring Brigitte Bardot. Though not her first film, it is widely recognized as the vehicle that launched Bardot into the public spotlight and immediately created her " sex kitten " persona, making ...
The prose in The Woman is a strong confident step above most of the genre. It's a short book, but that's because it's not bogged down by excess fat or padding. Every word counts and while every passage may not ring as lyrically, the book has more than its fair share of beauty (and purposeful, abject ugliness)." [5]