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Antigone in Front of the Dead Polynices by Nikiforos Lytras, National Gallery, Athens, Greece (1865) In her own namesake play, Antigone attempts to secure a respectable burial for her brother Polynices. Oedipus's sons, Eteocles and Polynices, had shared rule jointly until they quarreled, and Eteocles expelled his brother. In Sophocles' account ...
The Theban Trilogy consists of Oedipus the King, Oedipus at Colonus, and Antigone. Although the plays are often called a "trilogy," they were written many years apart. Antigone, the last of the three plays sequentially, was actually first to be written, having been composed in 441 BC, towards the beginning of Sophocles's career. [35]
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Antigone at the Barbican was a 2015 filmed-for-TV version of a production at the Barbican directed by Ivo van Hove; the translation was by Anne Carson and the film starred Juliette Binoche as Antigone and Patrick O'Kane as Kreon. Other TV adaptations of Antigone have starred Irene Worth (1949) and Dorothy Tutin (1959), both broadcast by the BBC.
Antigone (c. 442 BC) Oedipus Rex (c. 429 BC) Oedipus at Colonus (401 BC, posthumous) Ajax (unknown, presumed earlier in career) The Trachiniae (unknown) Electra (unknown, presumed later in career) Philoctetes (409 BC) Euripides (c. 480–406 BC): Alcestis (438 BC) Medea (431 BC) The Heracleidae (Herakles Children) (c. 429 BC) Hippolytus (428 BC ...
In Greek mythology, Antigona or Antigone (/ æ n ˈ t ɪ ɡ ə n i / ann-TIG-ə-nee; Ancient Greek: Ἀντιγόνη meaning 'worthy of one's parents' or 'in place of one's parents') was the name of the following figures: Antigone, daughter of Oedipus. Antigone, daughter of Eurytion and first wife of Peleus. [1] Antigone, daughter of Laomedon. [2]
Antigone of Troy (/ æ n ˈ t ɪ ɡ ə n i / ann-TIG-ə-nee; Greek: Ἀντιγόνη) is a minor figure in Greek mythology. She is the daughter of the Trojan king Laomedon and the sister of Priam. [1] The meaning of the name is, as in the case of the masculine equivalent Antigonus, "worthy of one's parents" or "in place of one's parents ...
Furthermore, repetition, especially repetition of the Antigone story, is a significant element of the book. For example, the repeated phrase “we are many,” generates a sense of defiance, indicating the strength and determination of the “Antigones” as it is echoed throughout the entirety of the text [6]