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Indonesia is a country with many different tribes and ethnic groups, and its music is also very diverse, coming in hundreds of different forms and styles.Every region has its own culture and art, and as a result traditional music from area to area also uniquely differs from one another.
Indonesian country music (1 C) F. Indonesian folk music (3 C, 2 P) G. Gamelan (7 C, 14 P) I. Indonesian hip-hop (2 C, 1 P) Indonesian regional styles of music (3 C) J.
Noah, one of the most popular pop bands in Indonesia. Indo pop (Indonesian: Pop Indo), also known as Indonesian pop (Indonesian: Pop Indonesia) or I-pop, is loosely defined as Indonesian pop music; however, in a wider sense, it can also encompass Indonesian pop culture, which also includes Indonesian cinema and sinetrons (Indonesian TV dramas).
There’s no point trying to generalize Indonesian music. That just won’t work. Indonesia is the world’s largest island nation, and the fourth-most populous country in the world, home to ...
Orkes Melayu singer Ellya Khadam switched to dangdut in the 1970s, and by 1972, she was the number-one artist in Indonesia. Her success, along with that of Rhoma Irama, meant that by 1975, 75 per cent of all recorded music in Indonesia was of the dangdut genre, with pop bands such as Koes Plus adopting the style. [citation needed]
Kroncong (pronounced "kronchong"; Indonesian: Keroncong, Dutch: Krontjong) is the name of a ukulele-like instrument and an Indonesian musical style that typically makes use of the kroncong (the sound Crong-crong-crong comes from this instrument, so the music is called kroncong).
In the 80's, Indonesian media widely coined the term Pop kreatif. [4] Journalists Seno M. Hardjo and Bens Leo is cited to have popularized this term to differentiate the music presented by musicians with the likes of Guruh Soekarnoputra, Eros Djarot, Chrisye, Fariz RM, and Dian Pramana Poetra from the Melancholic pop music artists and genre. [2]
Gamelan gong kebyar is a style or genre of Balinese gamelan music of Indonesia. Kebyar means "to flare up or burst open", [1] and refers to the explosive changes in tempo and dynamics characteristic of the style.