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The body/expository section - narration of the tale, setting up the characters and the events, defining the conflict, with storyteller singing, dancing, shouting and inviting the audience to join. The storyteller uses a language full of images and symbolism. The conclusive formula - closure of the story and the moral. [5]
The short story opens in a parlor car of a train traveling westward from San Antonio towards a late-nineteenth-century Texas town named Yellow Sky. In this section a couple of characters are introduced—Jack Potter, and his bride. Newly married in San Antonio, "They were evidently very happy". [1] "The bride was not pretty, nor was she very young.
The setting can be referred to as story world [1] or milieu to include a context (especially society) beyond the immediate surroundings of the story. Elements of setting may include culture, historical period, geography, and hour. Along with the plot, character, theme, and style, setting is considered one of the fundamental components of ...
The premise sets up the plot, and the setting also influences the final story. An imbroglio can convolute the plot based on a misunderstanding. The term plot can also serve as a verb, as part of the craft of writing, referring to the writer devising and ordering story events. (A related meaning is a character's planning of future actions in the ...
Story is a sequence of events, which can be true or fictitious, that appear in prose, verse or script, designed to amuse or inform an audience. [1] Story structure is a way to organize the story's elements into a recognizable sequence. It has been shown to influence how the brain organizes information. [2]
The work was published on the exact day of the novel's setting. Centered on the title character, The Confidence-Man portrays a group of steamboat passengers travelling on the Mississippi River toward New Orleans. The narrative follows a succession of confidence men who, as suggested by the book's title, may be the same man in disguise.
The play received an almost universally negative reception, as critics attacked the confusing, absurdist plot. However, Ben Brantley , in his review of the 2008 Off-Broadway production in The New York Times , wrote that The Sandbox was a better play than The American Dream , with which it was paired.
In Bookmarks Mar/Apr 2009 issue, a magazine that aggregates critic reviews of books, the book received a (3.5 out of 5) based on critic reviews with a critical summary saying, "Critics agreed that if The Private Patient, a closed-room mystery, is not among the best in the series, it nonetheless outranks most crime fiction".