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The Literary Calavera or calavera literaria (Spanish: literary skull) is a traditional Mexican literary form: a satirical or light-hearted writing in verse, often composed for the Day of the Dead. [ 1 ] [ 2 ] In some parts of Mexico, it is a common tradition for children and adults to write "Calaveritas" (Spanish: little skull ) for friends ...
¡Es raro!, 1861. El aderezo de las esmeraldas, 1862. La venta de los gatos, 1862. Apólogo, 1863. Un boceto del natural, 1863. Un lance pesado. Memorias de un pavo, 1865. Las hojas secas. Historia de una mariposa y una araña. La voz del silencio, 1923, Released by Fernando Iglesias Figueroa. La fe salva, 1923, Released by Fernando Iglesias ...
Leyendas de Guatemala (Legends of Guatemala, 1930) was the first book to be published by Nobel-prizewinning author Miguel Ángel Asturias.The book is a re-telling of Maya origin stories from Asturias's homeland of Guatemala.
Miguel Angel Asturias en la Literatura. Guatemala: Istmo. OCLC 2546463. Solares-Lavarre, Francisco (2000). "El discurso del mito: respuesta a la modernidad en Leyendas de Guatemala". In Mario Roberto Morales (ed.). Cuentos y leyendas. Madrid – París: ALLCA (Colección Archivos). pp. 675–705. Valéry, Paul (1957). "Carta de Paul Valéry a ...
At an 18 April 1899 Paris conference, Emilia Pardo Bazán used the term "Black Legend" for the first time to refer to a general view of modern Spanish history: Abroad, our miseries are known and often exaggerated without balance; take as an example the book by M. Yves Guyot, which we can consider as the perfect model of a black legend, the opposite of a golden legend.
Julia Constanza Burgos García (February 17, 1914 – July 6, 1953), known as Julia de Burgos, was a Puerto Rican poet, journalist, independista, Nuyorican, and teacher. [1]
The Biographia Literaria is a critical autobiography by Samuel Taylor Coleridge, published in 1817 in two volumes.Its working title was 'Autobiographia Literaria'. The formative influences on the work were William Wordsworth's theory of poetry, the Kantian view of imagination as a shaping power (for which Coleridge later coined the neologism "esemplastic"), various post-Kantian writers ...
Sofía Casanova (30 September 1861 – 16 January 1958) (formally in Spanish: Sofía Guadalupe Pérez Casanova, Polish: Zofia Casanova-Lutosławska) was a poet, novelist, and journalist, the first Spanish woman to become a permanent correspondent in a foreign country and a war correspondent. [1]