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"Piccolo uomo" (transl. Little man) is a 1972 Italian song composed by Dario Baldan Bembo (music), Bruno Lauzi, and Michelangelo La Bionda (lyrics) and performed by Mia Martini. It was the singer's first significant commercial success. [1]
Martini's father, Giuseppe Radames Bertè (1921-2017), was a teacher of Latin and Greek. He was born in Villa San Giovanni, he moved to Marche with his family, first working as a professor and later becoming High School headmaster in Ancona. Martini's mother, Maria Salvina Dato (1925-2003), born in Bagnara Calabra, was an elementary school teacher.
A wet martini contains more vermouth; a 50-50 martini uses equal amounts of gin and vermouth. An upside-down or reverse martini has more vermouth than gin. [23] A dirty martini contains a splash of olive brine or olive juice and is typically garnished with an olive. [24] An extra dirty martini typically contains twice the amount of olive brine ...
The song premiered in the RAI television show Adesso musica, and eventually won the Festivalbar ex aequo with "Io domani" by Marcella Bella, marking the second victory in a row for Mia Martini. [1] [2] [3] It was the major success in Martini's career, staying on the Italian single hit parade for a total of 30 weeks and reaching the second place ...
Music, Martinis, and Memories is a studio album by television personality, Jackie Gleason. It was originally released in 1954 on Capitol Records. [1] [2] The orchestration consists of violins playing the melody while Bobby Hackett plays trumpet. [3] Music, Martinis and Memories reached No. 1 on Billboard magazine's pop album chart in October ...
" Plaisir d'amour" ([plɛ.ziʁ da.muʁ], "Pleasure of love") is a classical French love song written in 1784 by Jean-Paul-Égide Martini (1741–1816); it took its text from a poem by Jean-Pierre Claris de Florian (1755–1794), which appears in his novel Célestine. The song was greatly successful in Martini's version.
An ample selection of volumes, paintings, and musical instruments are displayed in the museum halls in Strada Maggiore 34 (Palazzo Sanguinetti), while the bibliographic material is accessible in Piazza Rossini 2 (the ex-Convent of San Giacomo) in rooms attached to the G.B. Martini Conservatory of Music.
The music of Trentino-Alto Adige/Südtirol reflects the multilingual and multiethnic make-up of the region. The strong traditions of choral singing , village bands, and folk music are nurtured both by the Italian and German speakers of the area.