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The term was coined by G.B. Martini in the second volume of his work Esemplare, ossia Saggio fondamentale pratico di contrappunto (1775), which also featured the terms attacco and soggetto to refer to short and average-length fugue themes, respectively. [1] In Martini's definition, a fugue theme of six 4/4 bars could be described as an ...
Definition Lacuna: gap: A silent pause in a piece of music Ossia: from o ("or") + sia ("that it be") A secondary passage of music which may be played in place of the original Ostinato: stubborn, obstinate: A repeated motif or phrase in a piece of music Pensato: thought out: A composed imaginary note Ritornello: little return
Portrait of Padre Martin, by A. Crescimbeni (International museum and library of music, Bologna)Giovanni Battista or Giambattista Martini, O.F.M. Conv. (24 April 1706 – 3 August 1784), also known as Padre Martini, was an Italian Conventual Franciscan friar, who was a leading musician, composer, and music historian of the period and a mentor to Mozart.
In instrumental music, a style of playing that imitates the way the human voice might express the music, with a measured tempo and flexible legato. cantilena a vocal melody or instrumental passage in a smooth, lyrical style canto Chorus; choral; chant cantus mensuratus or cantus figuratus (Lat.) Meaning respectively "measured song" or "figured ...
Italian music terminology consists of words and phrases used in the discussion of the music of Italy. Some Italian music terms are derived from the common Italian language. Others come from Spanish, or Neapolitan, Sicilian, Sardinian or other regional languages of Italy. The terms listed here describe a genre, song form, dance, instrument ...
" Plaisir d'amour" ([plɛ.ziʁ da.muʁ], "Pleasure of love") is a classical French love song written in 1784 by Jean-Paul-Égide Martini (1741–1816); it took its text from a poem by Jean-Pierre Claris de Florian (1755–1794), which appears in his novel Célestine. The song was greatly successful in Martini's version.
The music of Trentino-Alto Adige/Südtirol reflects the multilingual and multiethnic make-up of the region. The strong traditions of choral singing , village bands, and folk music are nurtured both by the Italian and German speakers of the area.
"Torna a Surriento" (pronounced [ˈtɔrn a ssurˈrjendə]) is a Neapolitan song composed in 1894 by Italian musician Ernesto De Curtis to words by his brother, the poet and painter Giambattista De Curtis.