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The first line, "Deutschland, Deutschland über alles, über alles in der Welt" ('Germany, Germany above all, above all in the world'), was an appeal to the various German monarchs to give the creation of a united Germany a higher priority than the independence of their small states.
Über alles (German for above all) is a phrase from "Deutschlandlied", the German national anthem.It may also refer to: Über alles, 2003 album by Hanzel und Gretyl; A novel by George Yury Right (Yuri Nesterenko) written from a point of view of a German officer.
Above All Else in the World (German: Über alles in der Welt) is a 1941 German drama film directed by Karl Ritter and starring Paul Hartmann, Hannes Stelzer and Fritz Kampers. [1] The title refers to the second line of the German national anthem. It was made as a propaganda film designed to promote Nazi Germany's war aims in the Second World War.
Wallace, from The Hangover Part III; Wallace the Brave, the titular character of the comic strip; Wallace, from Leave It to Beaver; Wallace Breen, from Half-Life 2; Wallace Fennel, from Veronica Mars; Wallace Footrot, from Footrot Flats; Wallace West (character), from DC Comics; Eli Wallace, from Stargate Universe; Niander Wallace, from Blade ...
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a close relationship or connection; an affair. The French meaning is broader; liaison also means "bond"' such as in une liaison chimique (a chemical bond) lingerie a type of female underwear. littérateur an intellectual (can be pejorative in French, meaning someone who writes a lot but does not have a particular skill). [35] louche
Über (German pronunciation: ⓘ, sometimes written uber / ˈ uː b ər / [1] in English-language publications) is a German language word meaning "over", "above" or "across". It is an etymological twin with German ober, and is a cognate (through Proto-Germanic) with English over, Dutch over, Swedish över and Icelandic yfir, among other Germanic languages; it is a distant cognate to the ...
Wallace Collection, London A Dance to the Music of Time is a painting by Nicolas Poussin in the Wallace Collection in London. It was painted between c. 1634 and 1636 as a commission for Giulio Rospigliosi (later Pope Clement IX ), who according to Gian Pietro Bellori dictated its detailed iconography.