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The tabret or timbrel was a favorite instrument of the women, and was used with dances, as by Miriam, to accompany songs of victory, or with the harp at banquets and processions; it was one of the instruments used by King David and his musicians when he danced before the Ark of the Covenant.
In music, timbre (/ ˈ t æ m b ər, ˈ t ɪ m-, ˈ t æ̃-/), also known as tone color or tone quality (from psychoacoustics), is the perceived sound quality of a musical note, sound or tone. Timbre distinguishes different types of sound production, such as choir voices and musical instruments.
A classic example is the opening melodic statement of his Fünf Stücke für Orchester Op. 10 (1913) which requires the efforts of the flute, trumpet, celeste, harp, glockenspiel, viola, and clarinet often playing just one note each. In Webern's hocketization of Schoenberg's concept, timbres are often mixed but not combined.
In later music, the instrument made of ox horn fills the gap between the flageolet and the recorder. [60] The mouthpiece of the instrument is at the top of the wide end of the horn; the large hole has been filled in with a blowing hole left at the top. A soundhole to create the sound is cut into the sidewall of the horn, along with fingerholes ...
The keyboard glockenspiel (French: jeu de timbre) or organ glockenspiel [clarification needed] is an instrument consisting of a glockenspiel operated by a piano keyboard.It was first used by George Frideric Handel in the oratorio Saul (1739).
Nyckelharpa, Swedish for 'key-harp (lit.) ', meaning roughly "keyed fiddle" (Swedish: [ˈnʏ̂kːɛlˌharːpa], plural nyckelharpor, compare tagelharpa), is a "keyed" bowed chordophone, primarily originating from Sweden in its modern form, but with its roots in Medieval Europe.
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By this definition, consonance is dependent not only on the width of the interval between two notes (i.e., the musical tuning), but also on the combined spectral distribution and thus sound quality (i.e., the timbre) of the notes (see Critical band). Thus, a note and the note one octave higher are highly consonant because the partials of the ...