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Jai Radha Madhab, sometimes spelled as Jai Radha Madhava or Jai Radha Madhav, or Jay(a)-[1] (due to Indo-Aryan schwa dropping) is a Hindu song in Vaishnava tradition. The title is derived from the first line of the song, “Jai Radha Madhava” (Literally means “Victory to Radha and Madhav”), and is commonly sung in Hindi or Sanskrit as Bhajan or in Kirtan.
The words Govinda jaya jaya literally mean "Krishna (the Divine Cowherd), Glory, Glory". The text is taken from a Sanskrit devotional chant, titled " Govinda Jaya Jaya ". The latter was previously recorded in 1970 by devotees from the London Radha Krishna Temple and released as the B-side of their single " Govinda " (a different song), produced ...
It describes the relationship between Krishna, Radha and gopis (female cow herders) of Vrindavan. [1] The Gita Govinda is organized into twelve chapters. Each chapter is further sub-divided into one or more divisions called prabandhas, totalling twenty-four in all. The prabandhas contain couplets grouped into eights, called ashtapadis.
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Narottama Dasa Thakura was a lifelong brahmachari.He was born in a family of the Bengali Kulin Kayastha caste, the son of King Shri Krishnananda Datta, who ruled the area of Gopalpura in Rajashahi district of modern-day Bangladesh, his capital being Khetri on the Padma River.
Govinda Jaya Jaya" is an Indian devotional chant or song. It is often sung in the Krishna Consciousness movement founded by A.C. Bhaktivedanta Swami Prabhupada , [ 1 ] and by various other schools of yoga, and by Hindus in general.
Jayadeva (pronounced [dʑɐjɐˈdeːʋɐ]; born c. 1170 CE), also spelt Jaideva, was a Sanskrit poet during the 12th century. He is most known for his epic poem Gita Govinda [2] which concentrates on Krishna's love with the gopi, Radha, in a rite of spring. [3]
Venkata Kavi's compositions reveal that he was a complete master of the science and art of music in all senses of the term – melody, rhythm, and lyrics. He was fluent in Sanskrit and Tamil. Renowned for his rare depth, scholarship and sublime appeal, [3] he was proficient in a variety of musical forms such as the kriti, tillana and ...