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Katharine Mary Briggs's Kate Crackernuts (1963) based on the Scottish fairy tale Kate Crackernuts; James Reeves's The Cold Flame (1967), a retelling of the Grimm tale The Blue Light; Joan Vinge's The Snow Queen (1980) using elements of the Hans Christian Andersen fairy tale; Kara Dalkey's The Nightingale (1988), based on "The Emperor and the ...
Stock characters of fairy tales, whether culturally specific names often used for heroes and heroines, or more general roles found in fairy tales. Subcategories This category has the following 21 subcategories, out of 21 total.
A bitmap font is one that stores each glyph as an array of pixels (that is, a bitmap). It is less commonly known as a raster font or a pixel font. Bitmap fonts are simply collections of raster images of glyphs. For each variant of the font, there is a complete set of glyph images, with each set containing an image for each character.
ASCII art of a fish. ASCII art is a graphic design technique that uses computers for presentation and consists of pictures pieced together from the 95 printable (from a total of 128) characters defined by the ASCII Standard from 1963 and ASCII compliant character sets with proprietary extended characters (beyond the 128 characters of standard 7-bit ASCII).
Setting of the Fables comics and spin-offs based on fairy tales, folklore, and nursery rhymes. Legends in Exile : 2002: C V Hyborian Age: Robert E. Howard: A fictional prehistoric period of Earth's history placed by most around 10,000 BC, in which Conan the Barbarian rampaged. The Phoenix on the Sword: 1932: N C G F V T Hyrule: Shigeru Miyamoto ...
ClearType also uses very heavy font hinting to force the font to fit into the pixel grid. This increases edge contrast and readability of small fonts at the expense of font rendering fidelity and has been criticized by graphic designers for making different fonts look similar.
This genre may include modern fairy tales, which use fairy tale motifs in original plots, such as The Wonderful Wizard of Oz and The Hobbit, as well as erotic, violent, or otherwise more adult-oriented retellings of classic fairy tales (many of which, in many variants, were originally intended an audience of adults, or a mixed audience of all ages), such as the comic book series Fables.
Verdana is a humanist sans-serif typeface designed by Matthew Carter for Microsoft Corporation, with hand-hinting done by Thomas Rickner, then at Monotype.Demand for such a typeface was recognized by Virginia Howlett of Microsoft's typography group and commissioned by Steve Ballmer.