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The four Tezcatlipocas were the sons of Ometecuhtli and Omecihuatl, lady and lord of the duality, and were the creators of all the other gods, as well as the world and all humanity. The rivalry between Quetzalcoatl and Tezcatlipoca is also recounted in the legends of Tollan , wherein Tezcatlipoca deceives Quetzalcoatl, ruler of the legendary ...
Other victims were fastened to a frame and put to death with arrows; their blood dripping down was believed to symbolize the fertile spring rains. A hymn sung in honour of Xipe-Totec called him Yoalli Tlauana ("Night Drinker") because beneficent rains fell during the night; it thanked him for bringing the Feathered Serpent , who was the symbol ...
From the four Tezcatlipocas descended the first people who were giants. They created the other gods, the most important of whom were the water gods: Tlaloc, the god of rain and fertility and Chalchiuhtlicue, the goddess of lakes, rivers and oceans and also the goddess of beauty. To give light, they needed a god to become the sun and the Black ...
One of these, the Five Suns, describes four great ages preceding the present world, each of which ended in a catastrophe, and "were named in function of the force or divine element that violently put an end to each one of them". [2] Coatlicue was the mother of Centzon Huitznahua ("Four Hundred Southerners"), her sons, and Coyolxauhqui, her
Xochitlicue (meaning in Nahuatl 'the one that has her skirt of flowers') is the Aztec goddess of fertility, patroness of life and death, guide of rebirth, younger sister of Coatlicue, Huitzilopochtli's mother according Codex Florentine; and Chimalma, Quetzalcoatl's mother according to Codex Chimalpopoca. [1]
Oztoticpac Lands Map. The Oztoticpac Lands Map of Texcoco is a pictorial Aztec codex on native paper (amatl) from Texcoco ca. 1540. [1] It is held by the manuscript division of the Library of Congress, measuring 76 cm × 84 cm (29 + 29 ⁄ 32 by 33 + 1 ⁄ 16 inches) and now on display in the Library of Congress as part of its permanent exhibition "Exploring the Early Americas". [2]
Most Colonial-era manuscripts equate her with Ōmecihuātl. [4] Tōnacācihuātl was the consort of Tōnacātēcuhtli. [5] She is also referred to as Ilhuicacihuātl or "Heavenly Lady." [6] Tonacacihuatl is depicted in the Codex Telleriano-Remensis. [7] Tonacacíhuatl and Tonacatecuhtli as depicted in the Codex Fejérváry-Mayer. [7]
Primeros Memoriales, a manuscript written by Bernardino de Sahagún before his Florentine Codex, contains a description of Huixtocihuatl paired with an illustration. [5] The Aztecs believed that the essence of a deity could be captured by a human impersonator, or ixiptla, of the god.