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The four Tezcatlipocas were the sons of Ometecuhtli and Omecihuatl, lady and lord of the duality, and were the creators of all the other gods, as well as the world and all humanity. The rivalry between Quetzalcoatl and Tezcatlipoca is also recounted in the legends of Tollan , wherein Tezcatlipoca deceives Quetzalcoatl, ruler of the legendary ...
During the journey his image, in the form of a hummingbird, was carried upon the shoulders of priests, and at night his voice was heard giving orders. The Aztecs believed that the sun god needed daily nourishment ( tlaxcaltiliztli ) in the form of human blood and hearts and that they, as people of the sun, were required to provide ...
From the four Tezcatlipocas descended the first people who were giants. They created the other gods, the most important of whom were the water gods: Tlaloc, the god of rain and fertility and Chalchiuhtlicue, the goddess of lakes, rivers and oceans and also the goddess of beauty. To give light, they needed a god to become the sun and the Black ...
One of these, the Five Suns, describes four great ages preceding the present world, each of which ended in a catastrophe, and "were named in function of the force or divine element that violently put an end to each one of them". [2] Coatlicue was the mother of Centzon Huitznahua ("Four Hundred Southerners"), her sons, and Coyolxauhqui, her
Xochitlicue (meaning in Nahuatl 'the one that has her skirt of flowers') is the Aztec goddess of fertility, patroness of life and death, guide of rebirth, younger sister of Coatlicue, Huitzilopochtli's mother according Codex Florentine; and Chimalma, Quetzalcoatl's mother according to Codex Chimalpopoca. [1]
Tōnacātēcuhtli was the Central Mexican form of the aged creator god common to Mesoamerican religion. [3] According to the Codex Ríos, the History of the Mexicans as Told by Their Paintings, the Histoyre du Mechique, and the Florentine Codex, Tōnacātēcuhtli and his consort Tōnacācihuātl resided in "in Tōnacātēuctli īchān" ("the mansion of the Lord of Abundance"), also known as ...
Sahagún points out that their voices "rang like a bell". [9] While the women sang and danced, the men and elders directed the dancers. The dancers wore garlands of iztauhyatl, the flower artemisia , while those watching the festival carried the flower. [ 1 ]
Tōnacācihuātl was the Central Mexican form of the creator goddess common to Mesoamerican religions. [4] According to the Codex Ríos , the History of the Mexicans as Told by Their Paintings , the Histoyre du Mechique , and the Florentine Codex , Tōnacācihuātl and her counterpart Tōnacātēcuhtli resided in Ōmeyōcān , the 13th, highest ...